Etching with aquatint on Skikoku Surface Gampi paper
- Signed, dated and numbered in pencil
Jasper Johns’ Valentine (2010) is an etching and aquatint created on Skikoku Surface Gampi paper, part of a limited edition of 40 prints. The composition features a central vase-like form created by two mirrored silhouettes, with abstract textures and patterns filling the surrounding spaces. The dark, tonal contrasts of the figures and background evoke a sense of depth and reflection, while the intricate detailing on the silhouettes suggests layers of meaning. The mirrored profiles reference Johns' ongoing interest in perception, duality, and the play between positive and negative space. Signed, dated, and numbered in pencil, this work encapsulates Johns' masterful blend of abstraction and figuration.
Jasper Johns (United States, 1930) is an iconic American artist and key figure in the development of Abstract Expressionism and Pop Art. Best known for his 'Flag' series, Johns blends everyday imagery with innovative techniques like encaustic painting. His works challenge the boundaries of representation, influencing generations of contemporary artists.
Etching and AquatintEtching and aquatint are printmaking techniques. In aquatint, the printing plate is etched with a pattern of tiny pits and cracks to create a wide range of tonal gradations. This technique allows artists to replicate the broad, flat tones found in watercolor paintings and ink washes.
Etching with aquatint on Skikoku Surface Gampi paper
- Signed, dated and numbered in pencil
Jasper Johns’ Valentine (2010) is an etching and aquatint created on Skikoku Surface Gampi paper, part of a limited edition of 40 prints. The composition features a central vase-like form created by two mirrored silhouettes, with abstract textures and patterns filling the surrounding spaces. The dark, tonal contrasts of the figures and background evoke a sense of depth and reflection, while the intricate detailing on the silhouettes suggests layers of meaning. The mirrored profiles reference Johns' ongoing interest in perception, duality, and the play between positive and negative space. Signed, dated, and numbered in pencil, this work encapsulates Johns' masterful blend of abstraction and figuration.
Jasper Johns (United States, 1930) is an iconic American artist and key figure in the development of Abstract Expressionism and Pop Art. Best known for his 'Flag' series, Johns blends everyday imagery with innovative techniques like encaustic painting. His works challenge the boundaries of representation, influencing generations of contemporary artists.
I think a painting should include more experience than simply intended statement.
- Jasper Johns
With works that encompass the styles of Pop Art, Abstract Expressionism and Neo-Dada, Jasper Johns is an acclaimed painter, printmaker and sculptor, perhaps most notable for his use of lush colour, iconography and artistic references to America. Flag is arguably his most successful work – a painting of the American flag comprised of encaustic oil, paper and fabric; Johns has previously stated that he was always drawn to painting ‘things the mind already knows’ and in using an already recognisable image, he was able to concentrate wholly on the execution of the final product. Johns has also worked extensively with sculptures; Fragment of a Letter is a double-sided relief in which Johns incorporates a letter written by Vincent Van Gogh – using blocks of type, Johns pressed Van Gogh’s words into wax and on the reverse side of the work, he spelled out the letter in the American Sign Language alphabet using self-created stamps. (Artist website)
Neo-Dada is a minor visual and audio art movement with intents similar to those of Dada artwork. While it revives some of Dada's objectives, Neo-Dada emphasizes the importance of the produced artwork rather than the concept behind it. The movement is considered the foundation of Pop Art, Nouveau Réalisme, and Fluxus. Neo-Dada is known for its use of absurdist contrasts, popular imagery, and modern materials, blending high and low culture in a way that challenges traditional artistic conventions.