Printed by Maurice Payne Studio, New York
- Plate: 29 5/8 × 41 3/4 in (75.3 × 106 cm); Sheet: 35 7/16 × 46 15/16 in (90 × 119.3 cm)
Untitled - Faces (ULAE 243) by Jasper Johns is a limited edition carborundum print created in 1988. This abstract composition features a fragmented, layered surface with textured and stylized forms that evoke faces and abstract patterns. Three distinct sections or frames, each containing unique facial or mask-like elements, stand out against the complex, overlapping background of shapes and lines. The colors are subdued, with muted greens, purples, and earthy tones, lending the piece a mysterious and contemplative atmosphere. Printed by Maurice Payne Studio in New York, the artwork reflects Johns' interest in challenging perceptions and exploring ambiguity through abstract forms.
Jasper Johns (United States, 1930) is an iconic American artist and key figure in the development of Abstract Expressionism and Pop Art. Best known for his 'Flag' series, Johns blends everyday imagery with innovative techniques like encaustic painting. His works challenge the boundaries of representation, influencing generations of contemporary artists.
Carborundum Carborundum is the trademark name for silicon carbide crystals, an abrasive material commonly used in sandpaper, cutting tools, and grinding wheels. Originally, artists used carborundum for grinding lithography stones. In collagraph printmaking, it is applied to plates to create texture and tone gradients, adding depth and contrast to the prints.
Printed by Maurice Payne Studio, New York
- Plate: 29 5/8 × 41 3/4 in (75.3 × 106 cm); Sheet: 35 7/16 × 46 15/16 in (90 × 119.3 cm)
Untitled - Faces (ULAE 243) by Jasper Johns is a limited edition carborundum print created in 1988. This abstract composition features a fragmented, layered surface with textured and stylized forms that evoke faces and abstract patterns. Three distinct sections or frames, each containing unique facial or mask-like elements, stand out against the complex, overlapping background of shapes and lines. The colors are subdued, with muted greens, purples, and earthy tones, lending the piece a mysterious and contemplative atmosphere. Printed by Maurice Payne Studio in New York, the artwork reflects Johns' interest in challenging perceptions and exploring ambiguity through abstract forms.
Jasper Johns (United States, 1930) is an iconic American artist and key figure in the development of Abstract Expressionism and Pop Art. Best known for his 'Flag' series, Johns blends everyday imagery with innovative techniques like encaustic painting. His works challenge the boundaries of representation, influencing generations of contemporary artists.
I think a painting should include more experience than simply intended statement.
- Jasper Johns
With works that encompass the styles of Pop Art, Abstract Expressionism and Neo-Dada, Jasper Johns is an acclaimed painter, printmaker and sculptor, perhaps most notable for his use of lush colour, iconography and artistic references to America. Flag is arguably his most successful work – a painting of the American flag comprised of encaustic oil, paper and fabric; Johns has previously stated that he was always drawn to painting ‘things the mind already knows’ and in using an already recognisable image, he was able to concentrate wholly on the execution of the final product. Johns has also worked extensively with sculptures; Fragment of a Letter is a double-sided relief in which Johns incorporates a letter written by Vincent Van Gogh – using blocks of type, Johns pressed Van Gogh’s words into wax and on the reverse side of the work, he spelled out the letter in the American Sign Language alphabet using self-created stamps. (Artist website)
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.