Jasper Johns' Periscope, created in 1981, is a limited edition etching and aquatint on Rives paper, measuring 41 by 29 inches. The composition showcases Johns’ fascination with language, color, and abstraction. The artwork is divided into sections, each labeled with the words RED, YELLOW, and BLUE, corresponding with their respective color fields, yet the placement and orientation of the text appear disjointed, creating a sense of visual ambiguity. A large circular form reminiscent of a periscope lens overlaps part of the composition, introducing movement and depth. The texture achieved through etching and aquatint adds a tactile quality, enhancing the interplay between text, color, and form. Johns’ piece explores the perception of color and language, blending them in a way that challenges viewers to engage with the work beyond surface recognition, questioning the relationship between visual information and meaning.
Jasper Johns (United States, 1930) is an iconic American artist and key figure in the development of Abstract Expressionism and Pop Art. Best known for his 'Flag' series, Johns blends everyday imagery with innovative techniques like encaustic painting. His works challenge the boundaries of representation, influencing generations of contemporary artists.
Etching and AquatintEtching and aquatint are printmaking techniques. In aquatint, the printing plate is etched with a pattern of tiny pits and cracks to create a wide range of tonal gradations. This technique allows artists to replicate the broad, flat tones found in watercolor paintings and ink washes.
Jasper Johns' Periscope, created in 1981, is a limited edition etching and aquatint on Rives paper, measuring 41 by 29 inches. The composition showcases Johns’ fascination with language, color, and abstraction. The artwork is divided into sections, each labeled with the words RED, YELLOW, and BLUE, corresponding with their respective color fields, yet the placement and orientation of the text appear disjointed, creating a sense of visual ambiguity. A large circular form reminiscent of a periscope lens overlaps part of the composition, introducing movement and depth. The texture achieved through etching and aquatint adds a tactile quality, enhancing the interplay between text, color, and form. Johns’ piece explores the perception of color and language, blending them in a way that challenges viewers to engage with the work beyond surface recognition, questioning the relationship between visual information and meaning.
Jasper Johns (United States, 1930) is an iconic American artist and key figure in the development of Abstract Expressionism and Pop Art. Best known for his 'Flag' series, Johns blends everyday imagery with innovative techniques like encaustic painting. His works challenge the boundaries of representation, influencing generations of contemporary artists.
I think a painting should include more experience than simply intended statement.
- Jasper Johns
With works that encompass the styles of Pop Art, Abstract Expressionism and Neo-Dada, Jasper Johns is an acclaimed painter, printmaker and sculptor, perhaps most notable for his use of lush colour, iconography and artistic references to America. Flag is arguably his most successful work – a painting of the American flag comprised of encaustic oil, paper and fabric; Johns has previously stated that he was always drawn to painting ‘things the mind already knows’ and in using an already recognisable image, he was able to concentrate wholly on the execution of the final product. Johns has also worked extensively with sculptures; Fragment of a Letter is a double-sided relief in which Johns incorporates a letter written by Vincent Van Gogh – using blocks of type, Johns pressed Van Gogh’s words into wax and on the reverse side of the work, he spelled out the letter in the American Sign Language alphabet using self-created stamps. (Artist website)
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.