Etching on Hahnemühle Copperplate wove paper
- Signed, dated, and numbered in pencil
- Published by Gemini G.E.L, Los Angeles
Jasper Johns’ Untitled (from The Geldzahler Portfolio) (1998) is an etching on Hahnemühle Copperplate wove paper, part of a limited edition of 75. The composition is intricate and layered, blending abstract forms with hints of recognizable imagery. Dominated by two dark black dots that resemble bullet holes, the etching incorporates geometric patterns, delicate line work, and fragmented shapes that suggest architectural or mechanical structures. The presence of tools, combined with abstract forms, hints at the process of creation and deconstruction. Signed, dated, and numbered in pencil, this work reflects Johns’ ongoing exploration of ambiguity, perception, and the tension between order and chaos.
Jasper Johns (United States, 1930) is an iconic American artist and key figure in the development of Abstract Expressionism and Pop Art. Best known for his 'Flag' series, Johns blends everyday imagery with innovative techniques like encaustic painting. His works challenge the boundaries of representation, influencing generations of contemporary artists.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
Etching on Hahnemühle Copperplate wove paper
- Signed, dated, and numbered in pencil
- Published by Gemini G.E.L, Los Angeles
Jasper Johns’ Untitled (from The Geldzahler Portfolio) (1998) is an etching on Hahnemühle Copperplate wove paper, part of a limited edition of 75. The composition is intricate and layered, blending abstract forms with hints of recognizable imagery. Dominated by two dark black dots that resemble bullet holes, the etching incorporates geometric patterns, delicate line work, and fragmented shapes that suggest architectural or mechanical structures. The presence of tools, combined with abstract forms, hints at the process of creation and deconstruction. Signed, dated, and numbered in pencil, this work reflects Johns’ ongoing exploration of ambiguity, perception, and the tension between order and chaos.
Jasper Johns (United States, 1930) is an iconic American artist and key figure in the development of Abstract Expressionism and Pop Art. Best known for his 'Flag' series, Johns blends everyday imagery with innovative techniques like encaustic painting. His works challenge the boundaries of representation, influencing generations of contemporary artists.
I think a painting should include more experience than simply intended statement.
- Jasper Johns
With works that encompass the styles of Pop Art, Abstract Expressionism and Neo-Dada, Jasper Johns is an acclaimed painter, printmaker and sculptor, perhaps most notable for his use of lush colour, iconography and artistic references to America. Flag is arguably his most successful work – a painting of the American flag comprised of encaustic oil, paper and fabric; Johns has previously stated that he was always drawn to painting ‘things the mind already knows’ and in using an already recognisable image, he was able to concentrate wholly on the execution of the final product. Johns has also worked extensively with sculptures; Fragment of a Letter is a double-sided relief in which Johns incorporates a letter written by Vincent Van Gogh – using blocks of type, Johns pressed Van Gogh’s words into wax and on the reverse side of the work, he spelled out the letter in the American Sign Language alphabet using self-created stamps. (Artist website)
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.