Unique original blue color drawing ( by Meta-Matic machinery ) in blue, broad felt pen. Hand signed in pencil recto, printed COA of Museum Haus Lange Krefeld verso. Made and sold at Museum Haus Lange, Krefeld, 07/1960.
This remarkable drawing is a genuine original produced by one of Jean Tinguely’s celebrated Méta-Matic machines at Museum Haus Lange in Krefeld in July 1960. Executed in sweeping strokes of blue felt pen, the composition reveals the unpredictable gestural energy of the apparatus — bold, rhythmic marks that oscillate between mechanical precision and expressive freedom. Hand-signed by Tinguely and accompanied by the museum’s printed certificate of authenticity, this unique work stands as a historic document from the birth of kinetic and machine-made art, embodying the artist’s radical questioning of authorship and creative process.
Jean Tinguely (Switzerland, 1925–1991) was a Swiss sculptor renowned for his kinetic art, creating mechanical sculptures that often satirized automation and the overproduction of material goods. His notable works include 'Homage to New York' (1960), a self-destructing sculpture exhibited at the Museum of Modern Art in New York.
Pen and inkPen and ink is a traditional drawing technique that involves using a dip pen with India ink on paper. The fine tip of the dip pen is ideal for creating varied lines and detailed shading. Some artists prefer using a fountain pen with an ink reservoir for greater convenience.
Unique original blue color drawing ( by Meta-Matic machinery ) in blue, broad felt pen. Hand signed in pencil recto, printed COA of Museum Haus Lange Krefeld verso. Made and sold at Museum Haus Lange, Krefeld, 07/1960.
This remarkable drawing is a genuine original produced by one of Jean Tinguely’s celebrated Méta-Matic machines at Museum Haus Lange in Krefeld in July 1960. Executed in sweeping strokes of blue felt pen, the composition reveals the unpredictable gestural energy of the apparatus — bold, rhythmic marks that oscillate between mechanical precision and expressive freedom. Hand-signed by Tinguely and accompanied by the museum’s printed certificate of authenticity, this unique work stands as a historic document from the birth of kinetic and machine-made art, embodying the artist’s radical questioning of authorship and creative process.
Jean Tinguely (Switzerland, 1925–1991) was a Swiss sculptor renowned for his kinetic art, creating mechanical sculptures that often satirized automation and the overproduction of material goods. His notable works include 'Homage to New York' (1960), a self-destructing sculpture exhibited at the Museum of Modern Art in New York.
To me art is a form of manifest revolt, total and complete.
- Jean Tinguely
Jean Tinguely was a Swiss sculptor and painter who was most well known for his creations of kinetic art, known technically as meta-mechanics, in the grand Dada tradition. Jean Tinguely’s basic purpose for his art is to lampoon the unconscious over-creation of material items in modern industry. Jean Tinguely’s best known work was Homage to New York, which he designed to destroy itself. However, it did not completely self-destruct in its exhibition at the Museum of Modern Art in New York City. A later work,Study for an End of the World No. 2, was successful in its self-destruction when shown for an audience in the desert near Las Vegas. Some of his more well known public works include Chaos I, in Columbus Indiana; the Tinguely Fountain in Basel; the Jo Siffert Fountain in Fribourg, Switzerland; La Cascade, a sculpture in Charlotte, North Carolina; and a number of other metamatic generative sculptures made in the 1950s. (Artist website)
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.