// A un lado por la izquierda by León Ferrari is a limited-edition lithograph created in 2009, with an edition size of 50. This piece combines handwritten text with an intricate illustration of a fish, merging visual and verbal art in Ferrari's unique, provocative style. The handwritten text surrounds and partially overlays the fish, drawing attention to themes of language, meaning, and the intersection of image and word. Ferrari’s work often explores complex social and political themes, and this piece’s layering of text and imagery invites viewers to engage with the narrative at both a visual and intellectual level. The composition, with its earthy tones and deliberate textures, encourages a reflective experience, questioning the boundaries of expression.
León Ferrari (Argentina, 1920–2013) was a pioneering conceptual artist whose provocative works challenged authority, religion, and politics. Using diverse media such as sculpture, collage, and text, he created powerful critiques of oppression and violence, leaving a lasting impact on Latin American art.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
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56 X 38 cm
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Edition of 50
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1,000EUR
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// A un lado por la izquierda by León Ferrari is a limited-edition lithograph created in 2009, with an edition size of 50. This piece combines handwritten text with an intricate illustration of a fish, merging visual and verbal art in Ferrari's unique, provocative style. The handwritten text surrounds and partially overlays the fish, drawing attention to themes of language, meaning, and the intersection of image and word. Ferrari’s work often explores complex social and political themes, and this piece’s layering of text and imagery invites viewers to engage with the narrative at both a visual and intellectual level. The composition, with its earthy tones and deliberate textures, encourages a reflective experience, questioning the boundaries of expression.
León Ferrari (Argentina, 1920–2013) was a pioneering conceptual artist whose provocative works challenged authority, religion, and politics. Using diverse media such as sculpture, collage, and text, he created powerful critiques of oppression and violence, leaving a lasting impact on Latin American art.
Art is not beauty or novelty, art is effectiveness and disruption.
- León Ferrari
León Ferrari (b. 1920 Argentina, d. 2013 Argentina) was an influential Argentine artist known for his powerful and often controversial works that blend sculpture, painting, and installation with political and social commentary. Ferrari's art frequently addressed themes of power, religion, and oppression, making strong statements against authoritarianism, war, and the abuses of the Catholic Church. His most famous work, La civilización occidental y cristiana (1965), depicts a crucified Christ on a U.S. fighter jet, symbolizing the complicity between religion and military power. Ferrari’s use of found objects, collage, and text created a distinctive visual language that challenged viewers to confront uncomfortable truths about society. His work has had a lasting impact on Latin American art and remains a crucial reference for discussions on art and activism.(Artist website)
Abstract Expressionism is an art movement that emerged in the United States during the 1940s and 1950s. Characterized by large, abstract canvases, the movement emphasized spontaneous, expressive brushwork and the use of color and form to convey emotion rather than represent reality. Artists like Jackson Pollock, Mark Rothko, and Willem de Kooning are key figures in this movement. Abstract Expressionism marked a shift in the art world, making New York City a center of the international art scene.