// Sin Título 2 by León Ferrari is a minimalist lithograph from 2008, part of a limited edition of 50. This work reflects Ferrari's fascination with abstraction and line work. The composition features a dense, rectangular cluster of black, horizontal lines, centered on a cream-colored background. The lines vary slightly in thickness and spacing, creating a sense of rhythm and texture within the otherwise stark simplicity. Ferrari's piece, though minimal, invites viewers to explore the nuances within repetition and order, echoing themes of structure and subtle movement. This restrained approach highlights his mastery in using simple forms to evoke complex reflections.
León Ferrari (Argentina, 1920–2013) was a pioneering conceptual artist whose provocative works challenged authority, religion, and politics. Using diverse media such as sculpture, collage, and text, he created powerful critiques of oppression and violence, leaving a lasting impact on Latin American art.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Size
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56 X 38 cm
Edition
Edition of 50
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1,000EUR
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// Sin Título 2 by León Ferrari is a minimalist lithograph from 2008, part of a limited edition of 50. This work reflects Ferrari's fascination with abstraction and line work. The composition features a dense, rectangular cluster of black, horizontal lines, centered on a cream-colored background. The lines vary slightly in thickness and spacing, creating a sense of rhythm and texture within the otherwise stark simplicity. Ferrari's piece, though minimal, invites viewers to explore the nuances within repetition and order, echoing themes of structure and subtle movement. This restrained approach highlights his mastery in using simple forms to evoke complex reflections.
León Ferrari (Argentina, 1920–2013) was a pioneering conceptual artist whose provocative works challenged authority, religion, and politics. Using diverse media such as sculpture, collage, and text, he created powerful critiques of oppression and violence, leaving a lasting impact on Latin American art.
Art is not beauty or novelty, art is effectiveness and disruption.
- León Ferrari
León Ferrari (b. 1920 Argentina, d. 2013 Argentina) was an influential Argentine artist known for his powerful and often controversial works that blend sculpture, painting, and installation with political and social commentary. Ferrari's art frequently addressed themes of power, religion, and oppression, making strong statements against authoritarianism, war, and the abuses of the Catholic Church. His most famous work, La civilización occidental y cristiana (1965), depicts a crucified Christ on a U.S. fighter jet, symbolizing the complicity between religion and military power. Ferrari’s use of found objects, collage, and text created a distinctive visual language that challenged viewers to confront uncomfortable truths about society. His work has had a lasting impact on Latin American art and remains a crucial reference for discussions on art and activism.(Artist website)
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.