// Mod. 5 by León Ferrari is a striking lithograph from 2009 that explores the interplay between structure and chaos through layered forms. The composition features a grid-like pattern of black shapes, resembling drips or bars, cascading downwards and interspersed with hints of warm, colorful lines in shades of red, orange, and blue. This juxtaposition of rigid black elements with the softer, colorful horizontal lines creates a dynamic tension, evoking both order and disruption. Ferrari’s use of abstraction here suggests a dialogue between confinement and freedom, as the solid black shapes seem to restrict yet reveal glimpses of color, hinting at hidden depths and layers beneath the surface.
León Ferrari (Argentina, 1920–2013) was a pioneering conceptual artist whose provocative works challenged authority, religion, and politics. Using diverse media such as sculpture, collage, and text, he created powerful critiques of oppression and violence, leaving a lasting impact on Latin American art.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
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56 X 38 cm
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Edition of 50
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1,000EUR
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// Mod. 5 by León Ferrari is a striking lithograph from 2009 that explores the interplay between structure and chaos through layered forms. The composition features a grid-like pattern of black shapes, resembling drips or bars, cascading downwards and interspersed with hints of warm, colorful lines in shades of red, orange, and blue. This juxtaposition of rigid black elements with the softer, colorful horizontal lines creates a dynamic tension, evoking both order and disruption. Ferrari’s use of abstraction here suggests a dialogue between confinement and freedom, as the solid black shapes seem to restrict yet reveal glimpses of color, hinting at hidden depths and layers beneath the surface.
León Ferrari (Argentina, 1920–2013) was a pioneering conceptual artist whose provocative works challenged authority, religion, and politics. Using diverse media such as sculpture, collage, and text, he created powerful critiques of oppression and violence, leaving a lasting impact on Latin American art.
Art is not beauty or novelty, art is effectiveness and disruption.
- León Ferrari
León Ferrari (b. 1920 Argentina, d. 2013 Argentina) was an influential Argentine artist known for his powerful and often controversial works that blend sculpture, painting, and installation with political and social commentary. Ferrari's art frequently addressed themes of power, religion, and oppression, making strong statements against authoritarianism, war, and the abuses of the Catholic Church. His most famous work, La civilización occidental y cristiana (1965), depicts a crucified Christ on a U.S. fighter jet, symbolizing the complicity between religion and military power. Ferrari’s use of found objects, collage, and text created a distinctive visual language that challenged viewers to confront uncomfortable truths about society. His work has had a lasting impact on Latin American art and remains a crucial reference for discussions on art and activism.(Artist website)
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.