// León Ferrari's Mod. 1, a limited edition lithograph from 2009, exemplifies his fascination with abstract forms and flowing lines. This composition features delicate, curved lines that converge and diverge, creating a sense of rhythmic movement and fluidity. The lines form a pattern reminiscent of waves or strands of hair caught in motion, evoking both grace and controlled chaos. Set against a blank background, the simplicity of the piece draws attention to the intricacies of linework and the subtle variation in thickness and direction. Ferrari, known for his engagement with abstract and conceptual art, uses this piece to explore movement and the organic nature of form, encouraging viewers to interpret its free-flowing energy.
León Ferrari (Argentina, 1920–2013) was a pioneering conceptual artist whose provocative works challenged authority, religion, and politics. Using diverse media such as sculpture, collage, and text, he created powerful critiques of oppression and violence, leaving a lasting impact on Latin American art.
LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Size
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56 X 38 cm
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Edition of 50
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1,000EUR
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●Inventory 2905
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// León Ferrari's Mod. 1, a limited edition lithograph from 2009, exemplifies his fascination with abstract forms and flowing lines. This composition features delicate, curved lines that converge and diverge, creating a sense of rhythmic movement and fluidity. The lines form a pattern reminiscent of waves or strands of hair caught in motion, evoking both grace and controlled chaos. Set against a blank background, the simplicity of the piece draws attention to the intricacies of linework and the subtle variation in thickness and direction. Ferrari, known for his engagement with abstract and conceptual art, uses this piece to explore movement and the organic nature of form, encouraging viewers to interpret its free-flowing energy.
León Ferrari (Argentina, 1920–2013) was a pioneering conceptual artist whose provocative works challenged authority, religion, and politics. Using diverse media such as sculpture, collage, and text, he created powerful critiques of oppression and violence, leaving a lasting impact on Latin American art.
Art is not beauty or novelty, art is effectiveness and disruption.
- León Ferrari
León Ferrari (b. 1920 Argentina, d. 2013 Argentina) was an influential Argentine artist known for his powerful and often controversial works that blend sculpture, painting, and installation with political and social commentary. Ferrari's art frequently addressed themes of power, religion, and oppression, making strong statements against authoritarianism, war, and the abuses of the Catholic Church. His most famous work, La civilización occidental y cristiana (1965), depicts a crucified Christ on a U.S. fighter jet, symbolizing the complicity between religion and military power. Ferrari’s use of found objects, collage, and text created a distinctive visual language that challenged viewers to confront uncomfortable truths about society. His work has had a lasting impact on Latin American art and remains a crucial reference for discussions on art and activism.(Artist website)
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.