Robert Mangold's #10 From Attic Series II (1991) is an etching and aquatint that exemplifies his minimalist geometric aesthetic. The piece features a dark, almost black, tilted square with a subtle, curved line cutting through its interior. The deep hue and simple composition create a sense of quiet intensity and depth. Mangold's exploration of form and balance is evident as he plays with the tension between the rigid geometric shape and the soft, organic curve. This limited edition print, signed and numbered by the artist, demonstrates his mastery in using minimal elements to evoke contemplation and a sense of spatial awareness.
Robert Mangold (United States, 1937) is a minimalist artist renowned for his geometric abstractions that explore the interplay of shape, line, and color. His work often features subtle color palettes and hand-drawn graphite lines, creating a harmonious balance between form and space. Mangold's paintings and prints have been exhibited internationally, influencing contemporary abstract art.
Etching and AquatintEtching and aquatint are printmaking techniques. In aquatint, the printing plate is etched with a pattern of tiny pits and cracks to create a wide range of tonal gradations. This technique allows artists to replicate the broad, flat tones found in watercolor paintings and ink washes.
Robert Mangold's #10 From Attic Series II (1991) is an etching and aquatint that exemplifies his minimalist geometric aesthetic. The piece features a dark, almost black, tilted square with a subtle, curved line cutting through its interior. The deep hue and simple composition create a sense of quiet intensity and depth. Mangold's exploration of form and balance is evident as he plays with the tension between the rigid geometric shape and the soft, organic curve. This limited edition print, signed and numbered by the artist, demonstrates his mastery in using minimal elements to evoke contemplation and a sense of spatial awareness.
Robert Mangold (United States, 1937) is a minimalist artist renowned for his geometric abstractions that explore the interplay of shape, line, and color. His work often features subtle color palettes and hand-drawn graphite lines, creating a harmonious balance between form and space. Mangold's paintings and prints have been exhibited internationally, influencing contemporary abstract art.
Art feeds off art...and artists feed off artists.
- Robert Mangold
Robert Mangold is a minimalist artist from New York who primarily uses acrylic and pencil on canvas. Minimalism is an art form that started in New York during the 1950s that is known for its simplicity and is devoid of any personal expression from the artist. Robert Mangold initially received his art training at the Cleveland Institute of Art from 1956-1959 in Ohio before transferring to Yale University where he received a BFA (’61) and MFA (’63). Robert Mangold is known for painting shapes such as rings, columns, crosses and trapezoids and will overlap multiple shapes on a single piece of work. As a minimalist, he focuses on taking various architectural forms and reduces them to their basic elements and shapes while using a monochromatic color scheme. A couple of other notable minimalist artists include Donald Judd and Frank Stella. Robert Mangold’s art is a reflection of a time and place where the minimalist movement began.
Minimalism is a style in music and visual arts characterized by pared-down designs and simplicity. It began in Western art after World War II, gaining prominence particularly in American visual arts. Minimalism draws heavily on aspects of modernism and is often viewed as a reaction against Abstract Expressionism, as well as a precursor to post-minimal art practices. Prominent minimalist artists include Agnes Martin, Donald Judd, Robert Morris, Frank Stella, and Dan Flavin.