// #8 from Attic Series II by Robert Mangold, created in 1991, is a minimalist etching and aquatint that demonstrates Mangold’s exploration of geometric forms and subtle textures. The piece features an elongated, tilted rectangle containing a single, continuous line forming an elegant figure-eight shape. The restrained gray tones and soft shading within the rectangle create a sense of depth and texture, while the line work adds a graceful simplicity. The figure-eight shape, with its inherent symmetry, invites viewers to contemplate balance and infinity, which are recurring themes in Mangold's work. This print exemplifies his commitment to simplicity and abstraction, using minimal forms to evoke a contemplative and timeless quality.
Robert Mangold (United States, 1937) is a minimalist artist renowned for his geometric abstractions that explore the interplay of shape, line, and color. His work often features subtle color palettes and hand-drawn graphite lines, creating a harmonious balance between form and space. Mangold's paintings and prints have been exhibited internationally, influencing contemporary abstract art.
Etching and AquatintEtching and aquatint are printmaking techniques. In aquatint, the printing plate is etched with a pattern of tiny pits and cracks to create a wide range of tonal gradations. This technique allows artists to replicate the broad, flat tones found in watercolor paintings and ink washes.
// #8 from Attic Series II by Robert Mangold, created in 1991, is a minimalist etching and aquatint that demonstrates Mangold’s exploration of geometric forms and subtle textures. The piece features an elongated, tilted rectangle containing a single, continuous line forming an elegant figure-eight shape. The restrained gray tones and soft shading within the rectangle create a sense of depth and texture, while the line work adds a graceful simplicity. The figure-eight shape, with its inherent symmetry, invites viewers to contemplate balance and infinity, which are recurring themes in Mangold's work. This print exemplifies his commitment to simplicity and abstraction, using minimal forms to evoke a contemplative and timeless quality.
Robert Mangold (United States, 1937) is a minimalist artist renowned for his geometric abstractions that explore the interplay of shape, line, and color. His work often features subtle color palettes and hand-drawn graphite lines, creating a harmonious balance between form and space. Mangold's paintings and prints have been exhibited internationally, influencing contemporary abstract art.
Art feeds off art...and artists feed off artists.
- Robert Mangold
Robert Mangold is a minimalist artist from New York who primarily uses acrylic and pencil on canvas. Minimalism is an art form that started in New York during the 1950s that is known for its simplicity and is devoid of any personal expression from the artist. Robert Mangold initially received his art training at the Cleveland Institute of Art from 1956-1959 in Ohio before transferring to Yale University where he received a BFA (’61) and MFA (’63). Robert Mangold is known for painting shapes such as rings, columns, crosses and trapezoids and will overlap multiple shapes on a single piece of work. As a minimalist, he focuses on taking various architectural forms and reduces them to their basic elements and shapes while using a monochromatic color scheme. A couple of other notable minimalist artists include Donald Judd and Frank Stella. Robert Mangold’s art is a reflection of a time and place where the minimalist movement began.
Minimalism is a style in music and visual arts characterized by pared-down designs and simplicity. It began in Western art after World War II, gaining prominence particularly in American visual arts. Minimalism draws heavily on aspects of modernism and is often viewed as a reaction against Abstract Expressionism, as well as a precursor to post-minimal art practices. Prominent minimalist artists include Agnes Martin, Donald Judd, Robert Morris, Frank Stella, and Dan Flavin.