Robert Mangold's #9 From Attic Series (1991) is an etching and aquatint measuring 81.3 x 91.4 cm. The artwork features a minimalist, geometric form—a trapezoidal shape in a rich terracotta hue set against a stark white background. A single, elegant looped line bisects the trapezoid, creating a sense of continuity and flow within the rigid structure. Mangold's use of simple forms and subtle line work reflects his commitment to exploring the relationship between shape, color, and space. The earthy tone and precise geometry evoke an architectural quality, while the fluid line introduces a sense of balance and movement, characteristic of Mangold’s abstract style.
Robert Mangold (United States, 1937) is a minimalist artist renowned for his geometric abstractions that explore the interplay of shape, line, and color. His work often features subtle color palettes and hand-drawn graphite lines, creating a harmonious balance between form and space. Mangold's paintings and prints have been exhibited internationally, influencing contemporary abstract art.
Etching and AquatintEtching and aquatint are printmaking techniques. In aquatint, the printing plate is etched with a pattern of tiny pits and cracks to create a wide range of tonal gradations. This technique allows artists to replicate the broad, flat tones found in watercolor paintings and ink washes.
Robert Mangold's #9 From Attic Series (1991) is an etching and aquatint measuring 81.3 x 91.4 cm. The artwork features a minimalist, geometric form—a trapezoidal shape in a rich terracotta hue set against a stark white background. A single, elegant looped line bisects the trapezoid, creating a sense of continuity and flow within the rigid structure. Mangold's use of simple forms and subtle line work reflects his commitment to exploring the relationship between shape, color, and space. The earthy tone and precise geometry evoke an architectural quality, while the fluid line introduces a sense of balance and movement, characteristic of Mangold’s abstract style.
Robert Mangold (United States, 1937) is a minimalist artist renowned for his geometric abstractions that explore the interplay of shape, line, and color. His work often features subtle color palettes and hand-drawn graphite lines, creating a harmonious balance between form and space. Mangold's paintings and prints have been exhibited internationally, influencing contemporary abstract art.
Art feeds off art...and artists feed off artists.
- Robert Mangold
Robert Mangold is a minimalist artist from New York who primarily uses acrylic and pencil on canvas. Minimalism is an art form that started in New York during the 1950s that is known for its simplicity and is devoid of any personal expression from the artist. Robert Mangold initially received his art training at the Cleveland Institute of Art from 1956-1959 in Ohio before transferring to Yale University where he received a BFA (’61) and MFA (’63). Robert Mangold is known for painting shapes such as rings, columns, crosses and trapezoids and will overlap multiple shapes on a single piece of work. As a minimalist, he focuses on taking various architectural forms and reduces them to their basic elements and shapes while using a monochromatic color scheme. A couple of other notable minimalist artists include Donald Judd and Frank Stella. Robert Mangold’s art is a reflection of a time and place where the minimalist movement began.
Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.