Original lithograph in colors on wove paper
- Hand-signed in pencil
Rose des Vents by Sonia Delaunay is a 1972 limited edition lithograph that showcases her dynamic use of color and geometry. The composition is an abstract arrangement of circular and curved shapes in vibrant hues of red, green, blue, purple, and black, all intersecting and overlapping. The bold, rhythmic use of color creates a sense of movement and energy, reminiscent of her work within the Orphism movement, which emphasized color theory and abstraction. The layered, rotating forms evoke the idea of a compass rose, guiding the viewer through the artwork’s vibrant pathways. The piece is hand-signed in pencil by the artist, adding a personal touch to this striking example of modern abstraction.
Sonia Delaunay (Ukraine/France, 1885–1979) was a pioneering artist and designer, celebrated for her vibrant abstract works and use of color. A key figure in the Orphism movement, she applied her innovative style to painting, textiles, and fashion. Delaunay’s legacy bridges fine art and design, influencing modern aesthetics profoundly.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Original lithograph in colors on wove paper
- Hand-signed in pencil
Rose des Vents by Sonia Delaunay is a 1972 limited edition lithograph that showcases her dynamic use of color and geometry. The composition is an abstract arrangement of circular and curved shapes in vibrant hues of red, green, blue, purple, and black, all intersecting and overlapping. The bold, rhythmic use of color creates a sense of movement and energy, reminiscent of her work within the Orphism movement, which emphasized color theory and abstraction. The layered, rotating forms evoke the idea of a compass rose, guiding the viewer through the artwork’s vibrant pathways. The piece is hand-signed in pencil by the artist, adding a personal touch to this striking example of modern abstraction.
Sonia Delaunay (Ukraine/France, 1885–1979) was a pioneering artist and designer, celebrated for her vibrant abstract works and use of color. A key figure in the Orphism movement, she applied her innovative style to painting, textiles, and fashion. Delaunay’s legacy bridges fine art and design, influencing modern aesthetics profoundly.
Sonia Delaunay was a French artist who helped found France's Orphism art movement. This particular style makes use of geometric figures and bold colors. She was a painter who also delved into textile and stage set design, and was known for employing geometric abstraction in her work. This is exemplified in "Rythme", an oil painting created by Delaunay in 1938 that features circles and curves of vibrant color. Delaunay often collaborated with her husband, artist Robert Delaunay, and they shared a similar style of painting. They both worked on decorating the pavilions at the Exposition Internationale des Arts et Techniques dans la Vie Moderne in 1937. In addition to her paintings, Delaunay designed a range of fabrics, wall coverings, furniture, and clothing. Much like her paintings, Sonia's textiles and modern design pieces featured geometric abstraction. In 1964, Sonia Delaunay became the first woman to have her work shown at a retrospective exhibition at the Louvre while still living. She received the privilege of being named an officer of France's Legion of Honor in 1975.
Réalités Nouvelles means new realities and refers to an exhibiting society founded in 1939 in Paris by Sonia Delaunay. The Salon des Réalités Nouvelles was dedicated to promoting abstract art, which it considered to be a new reality because it does not imitate the existing physical world. The movement emphasized that abstract art creates its own reality, independent of the external world, and played a significant role in the development and recognition of abstract art in the mid-20th century.