// Vera Molnar’s Hyper Transformation (1974) is a limited edition screen print that showcases her pioneering approach to computer-generated and algorithmic art. Measuring 65 x 50 cm, this work features a mesmerizing pattern of concentric, angular lines in deep purple and black that appear to twist and warp towards the center, creating a hypnotic, almost three-dimensional effect. Molnar’s use of systematic repetition and precise geometry reflects her background in mathematics and her exploration of visual aesthetics through algorithmic processes. This print is an excellent example of how she merges art and technology, producing an abstract composition that invites viewers into a dynamic visual experience of movement and transformation.
Vera Molnar (Hungary/France, 1924–2023) was a trailblazer in generative and digital art, celebrated for her algorithmic approach to abstraction. Combining art and technology, she created geometric compositions exploring order, randomness, and aesthetic balance. As one of the first artists to use computers in art, Molnar profoundly shaped modern computational creativity.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
// Vera Molnar’s Hyper Transformation (1974) is a limited edition screen print that showcases her pioneering approach to computer-generated and algorithmic art. Measuring 65 x 50 cm, this work features a mesmerizing pattern of concentric, angular lines in deep purple and black that appear to twist and warp towards the center, creating a hypnotic, almost three-dimensional effect. Molnar’s use of systematic repetition and precise geometry reflects her background in mathematics and her exploration of visual aesthetics through algorithmic processes. This print is an excellent example of how she merges art and technology, producing an abstract composition that invites viewers into a dynamic visual experience of movement and transformation.
Vera Molnar (Hungary/France, 1924–2023) was a trailblazer in generative and digital art, celebrated for her algorithmic approach to abstraction. Combining art and technology, she created geometric compositions exploring order, randomness, and aesthetic balance. As one of the first artists to use computers in art, Molnar profoundly shaped modern computational creativity.
Art is an obsession; that's all I think about.
- Vera Molnar
A pioneering figure in computer and algorithmic art, Hungarian-born French artist Vera Molnar worked for more than six decades at the intersection of art and technology. As a co-founder of the GRAV group, she explored geometric abstraction through mechanical and kinetic art and became closely associated with the Art et Informatique movement. In defending her use of geometric forms, Molnar explained that her aim was to create surprise through monotony and symmetry.
An advocate of unconventional media, she often left the perforated edges of computer printouts intact, referring to these works as "jobs." Her 1974 work Hypertransformation of 20 Concentric Squares, produced on plotter paper, exemplifies this distinctive approach.
Before embracing computer-generated art, Molnar created non-representational works influenced by Russian Constructivism and the abstract art of Piet Mondrian and Paul Klee, working across collage, painting, and photography. She began using computers in the late 1960s, developing a unique artistic language that combined mathematical precision with creative experimentation.
Molnar regarded computer art as a means of expressing ideas that exceeded human limitations, such as constraints of time and visual precision. For her, the computer served as a tool for transforming these ideas into tangible works of art. (Artist website)
Constructivism is an architectural and artistic philosophy of Russian origin that emerged as a rejection of the idea of autonomous art. The movement advocated for art to serve practical social purposes. Since its inception in 1919, Constructivism has evolved and significantly impacted 20th-century art movements, influencing major trends such as De Stijl and Bauhaus.