Imperial Academy 1 by Su Xiaobai is a limited edition print created through a complex mix of etching, aquatint, carborundum, and collagraph techniques. This 2018 piece exudes a meditative quality, dominated by a vertical textured field in earthy tones. The central section appears almost weathered, suggesting the passage of time or layers worn down by nature. The side borders are a stark, deep black, framing the textured center and creating a contrast that emphasizes the tactile surface of the central section. Su Xiaobai’s work often merges traditional Chinese aesthetics with modern abstraction, and here, the rugged, textural quality evokes a feeling of historical depth, akin to aged, worn walls or scrolls. This composition, measuring 64 cm by 59.5 cm, invites viewers to explore its layered surfaces and the intersection of tradition with contemporary art forms.
Su Xiaobai (China, 1949) is a contemporary artist known for his abstract works that explore color, texture, and form. After studying at the Kunstakademie Düsseldorf, he developed a unique style incorporating traditional Chinese lacquer techniques with modern abstraction. Su's art often reflects themes of existence and perception, bridging Eastern and Western artistic philosophies.
Etching and AquatintEtching and aquatint are printmaking techniques. In aquatint, the printing plate is etched with a pattern of tiny pits and cracks to create a wide range of tonal gradations. This technique allows artists to replicate the broad, flat tones found in watercolor paintings and ink washes.
Imperial Academy 1 by Su Xiaobai is a limited edition print created through a complex mix of etching, aquatint, carborundum, and collagraph techniques. This 2018 piece exudes a meditative quality, dominated by a vertical textured field in earthy tones. The central section appears almost weathered, suggesting the passage of time or layers worn down by nature. The side borders are a stark, deep black, framing the textured center and creating a contrast that emphasizes the tactile surface of the central section. Su Xiaobai’s work often merges traditional Chinese aesthetics with modern abstraction, and here, the rugged, textural quality evokes a feeling of historical depth, akin to aged, worn walls or scrolls. This composition, measuring 64 cm by 59.5 cm, invites viewers to explore its layered surfaces and the intersection of tradition with contemporary art forms.
Su Xiaobai (China, 1949) is a contemporary artist known for his abstract works that explore color, texture, and form. After studying at the Kunstakademie Düsseldorf, he developed a unique style incorporating traditional Chinese lacquer techniques with modern abstraction. Su's art often reflects themes of existence and perception, bridging Eastern and Western artistic philosophies.
My object is the surface layer presented on the painting.
- Xiaobai Su
Xiaobai Su, a sculptor, painter and printmaker, was born in the Republic of China. He studied art in Wuhan School of Arts and Craft in 1965, Wuhan School of Painting and Hubei Institute of Fine Arts. Later on in 1985, he joined the Beijing Central Academy of Fine Arts. He was awarded a scholarship to study in Germany in 1987 by the Dusseldorf Academy of Fine Arts where he undertook his graduate program. In 2003, Xiaobai Su moved back to china, and was inspired by a millennium-old plant material that acted as the symbol of Oriental culture. He was diverse in his painting tools experimenting on clay, oils, sack cloths, vines and even wood. Xiaobai Su's work after studying in Germany was deeply instigated by modernism and abstraction. Xiaobai Su was celebrated with an exhibition of his work from 2006-2010 at the National Taiwan Museum of Fine Arts.
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.