// Moi, Planche 15 by Antonio Saura is a striking serigraph from 1976, presenting a powerful example of Saura’s exploration of human identity through abstraction. In this piece, distorted facial elements are layered and fragmented against a dark, textured background, forming a haunting and expressive visage. The intense contrast between black, white, and gray highlights the piece's visceral emotion, with exaggerated eyes and mouth conveying a sense of anguish or disquiet. Saura’s technique of breaking down and reassembling facial forms reflects his fascination with the complexity of the human psyche, often bordering on the grotesque. This limited-edition work, one of only 60 with an additional 12 artist proofs, exemplifies Saura’s ability to evoke psychological intensity through fragmented portraiture.
Antonio Saura (Spain, 1930–1998) was a prominent painter and writer, known for his expressive abstract works. A key figure in post-war Spanish art, he co-founded the El Paso group, championing avant-garde movements. Saura's dynamic, gestural paintings often depicted distorted figures and explored themes of existentialism and human frailty.
Serigraph Serigraph is a printmaking process that uses silk screen techniques to create an image. The image is digitally separated into individual colors, each of which is assigned to a separate silk screen. These screens are then used to apply each color by hand, layer by layer, to replicate the original artwork, often based on an oil painting.
// Moi, Planche 15 by Antonio Saura is a striking serigraph from 1976, presenting a powerful example of Saura’s exploration of human identity through abstraction. In this piece, distorted facial elements are layered and fragmented against a dark, textured background, forming a haunting and expressive visage. The intense contrast between black, white, and gray highlights the piece's visceral emotion, with exaggerated eyes and mouth conveying a sense of anguish or disquiet. Saura’s technique of breaking down and reassembling facial forms reflects his fascination with the complexity of the human psyche, often bordering on the grotesque. This limited-edition work, one of only 60 with an additional 12 artist proofs, exemplifies Saura’s ability to evoke psychological intensity through fragmented portraiture.
Antonio Saura (Spain, 1930–1998) was a prominent painter and writer, known for his expressive abstract works. A key figure in post-war Spanish art, he co-founded the El Paso group, championing avant-garde movements. Saura's dynamic, gestural paintings often depicted distorted figures and explored themes of existentialism and human frailty.
I believe in love, justice, and poetry.
- Antonio Saura
Antonio Saura (b. 1930 Spain, d. 1998 Spain) was a prominent Spanish painter and writer, recognized as one of the leading figures in European abstract expressionism. Saura's work is characterized by its intense emotional depth, powerful gestural brushstrokes, and a dark, often monochromatic palette. He developed a unique style that combined abstraction with figurative elements, often focusing on the human figure, particularly distorted faces and torsos. Saura’s art was deeply influenced by the turmoil of the Spanish Civil War and his personal struggles, which are reflected in the raw, visceral energy of his paintings. He was a founding member of the El Paso group, a collective of avant-garde artists who sought to revitalize Spanish art in the post-war period by embracing abstraction and experimentation. Saura's work often engaged with themes of violence, repression, and existential anguish, making him a critical voice in the post-war art world. His paintings and drawings have been exhibited in major museums and galleries worldwide, solidifying his legacy as one of Spain's most significant 20th-century artists.
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.