Triptico de Amsterdam 2 by Antonio Saura is a 1975 serigraph composed of several expressive drawings arranged within a single composition. Executed with rapid, gestural lines and minimal color accents, the figures appear distorted and schematic, oscillating between human forms and symbolic shapes. Saura reduces bodies and faces to energetic strokes, creating characters that feel both playful and unsettling. The arrangement of separate panels introduces a sense of visual dialogue, as each drawing explores a variation of the human figure through abstraction and exaggeration. Known for his intense graphic language and association with the Spanish postwar avant-garde and the El Paso group, Saura often used deformation to convey psychological tension. Printed in an edition of 190 with additional artist and hors commerce impressions, the work reflects the spontaneity and expressive force of his drawing practice.
Antonio Saura (Spain, 1930–1998) was a prominent painter and writer, known for his expressive abstract works. A key figure in post-war Spanish art, he co-founded the El Paso group, championing avant-garde movements. Saura's dynamic, gestural paintings often depicted distorted figures and explored themes of existentialism and human frailty.
Serigraph Serigraph is a printmaking process that uses silk screen techniques to create an image. The image is digitally separated into individual colors, each of which is assigned to a separate silk screen. These screens are then used to apply each color by hand, layer by layer, to replicate the original artwork, often based on an oil painting.
Triptico de Amsterdam 2 by Antonio Saura is a 1975 serigraph composed of several expressive drawings arranged within a single composition. Executed with rapid, gestural lines and minimal color accents, the figures appear distorted and schematic, oscillating between human forms and symbolic shapes. Saura reduces bodies and faces to energetic strokes, creating characters that feel both playful and unsettling. The arrangement of separate panels introduces a sense of visual dialogue, as each drawing explores a variation of the human figure through abstraction and exaggeration. Known for his intense graphic language and association with the Spanish postwar avant-garde and the El Paso group, Saura often used deformation to convey psychological tension. Printed in an edition of 190 with additional artist and hors commerce impressions, the work reflects the spontaneity and expressive force of his drawing practice.
Antonio Saura (Spain, 1930–1998) was a prominent painter and writer, known for his expressive abstract works. A key figure in post-war Spanish art, he co-founded the El Paso group, championing avant-garde movements. Saura's dynamic, gestural paintings often depicted distorted figures and explored themes of existentialism and human frailty.
I believe in love, justice, and poetry.
- Antonio Saura
Antonio Saura (b. 1930 Spain, d. 1998 Spain) was a prominent Spanish painter and writer, recognized as one of the leading figures in European abstract expressionism. Saura's work is characterized by its intense emotional depth, powerful gestural brushstrokes, and a dark, often monochromatic palette. He developed a unique style that combined abstraction with figurative elements, often focusing on the human figure, particularly distorted faces and torsos. Saura’s art was deeply influenced by the turmoil of the Spanish Civil War and his personal struggles, which are reflected in the raw, visceral energy of his paintings. He was a founding member of the El Paso group, a collective of avant-garde artists who sought to revitalize Spanish art in the post-war period by embracing abstraction and experimentation. Saura's work often engaged with themes of violence, repression, and existential anguish, making him a critical voice in the post-war art world. His paintings and drawings have been exhibited in major museums and galleries worldwide, solidifying his legacy as one of Spain's most significant 20th-century artists.
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.