Don I by Antonio Saura is a 1984 serigraph that reflects the artist’s intense exploration of distorted human forms and psychological expression. Rendered in stark black, white, and grey, the composition presents a fragmented head containing multiple overlapping eyes. Thick, gestural brush-like lines define the features, creating a sense of tension and instability within the face. The simplified palette heightens the dramatic contrast between figure and background, emphasizing the raw energy of the linework. Saura, associated with the Spanish postwar avant-garde and the El Paso group, often used distorted anatomy to evoke existential anxiety and the trauma of modern history. Produced in an edition of 100 with 20 hors commerce impressions, the print demonstrates Saura’s powerful graphic language and his continued reinterpretation of the human figure.
Antonio Saura (Spain, 1930–1998) was a prominent painter and writer, known for his expressive abstract works. A key figure in post-war Spanish art, he co-founded the El Paso group, championing avant-garde movements. Saura's dynamic, gestural paintings often depicted distorted figures and explored themes of existentialism and human frailty.
Serigraph Serigraph is a printmaking process that uses silk screen techniques to create an image. The image is digitally separated into individual colors, each of which is assigned to a separate silk screen. These screens are then used to apply each color by hand, layer by layer, to replicate the original artwork, often based on an oil painting.
Don I by Antonio Saura is a 1984 serigraph that reflects the artist’s intense exploration of distorted human forms and psychological expression. Rendered in stark black, white, and grey, the composition presents a fragmented head containing multiple overlapping eyes. Thick, gestural brush-like lines define the features, creating a sense of tension and instability within the face. The simplified palette heightens the dramatic contrast between figure and background, emphasizing the raw energy of the linework. Saura, associated with the Spanish postwar avant-garde and the El Paso group, often used distorted anatomy to evoke existential anxiety and the trauma of modern history. Produced in an edition of 100 with 20 hors commerce impressions, the print demonstrates Saura’s powerful graphic language and his continued reinterpretation of the human figure.
Antonio Saura (Spain, 1930–1998) was a prominent painter and writer, known for his expressive abstract works. A key figure in post-war Spanish art, he co-founded the El Paso group, championing avant-garde movements. Saura's dynamic, gestural paintings often depicted distorted figures and explored themes of existentialism and human frailty.
I believe in love, justice, and poetry.
- Antonio Saura
Antonio Saura (b. 1930 Spain, d. 1998 Spain) was a prominent Spanish painter and writer, recognized as one of the leading figures in European abstract expressionism. Saura's work is characterized by its intense emotional depth, powerful gestural brushstrokes, and a dark, often monochromatic palette. He developed a unique style that combined abstraction with figurative elements, often focusing on the human figure, particularly distorted faces and torsos. Saura’s art was deeply influenced by the turmoil of the Spanish Civil War and his personal struggles, which are reflected in the raw, visceral energy of his paintings. He was a founding member of the El Paso group, a collective of avant-garde artists who sought to revitalize Spanish art in the post-war period by embracing abstraction and experimentation. Saura's work often engaged with themes of violence, repression, and existential anguish, making him a critical voice in the post-war art world. His paintings and drawings have been exhibited in major museums and galleries worldwide, solidifying his legacy as one of Spain's most significant 20th-century artists.
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.