Multitud by Antonio Saura is a 1993 screenprint that reflects the artist’s recurring exploration of the human crowd as a psychological and social motif. The composition is densely filled with overlapping faces drawn in energetic black lines and shaded with tones of grey and white. Each face appears distorted, with exaggerated eyes, angular forms, and expressive marks, creating a chaotic yet rhythmic pattern across the surface. Rather than depicting identifiable individuals, Saura presents the crowd as a collective mass of fragmented identities, emphasizing tension, emotion, and the complexity of human presence. This approach aligns with Saura’s broader practice of transforming figurative imagery into powerful expressionist compositions. The screenprint measures 63.4 × 46.9 cm, was produced in an edition of 111, and is recorded in the catalogue raisonné under reference WCC.572.
Antonio Saura (Spain, 1930–1998) was a prominent painter and writer, known for his expressive abstract works. A key figure in post-war Spanish art, he co-founded the El Paso group, championing avant-garde movements. Saura's dynamic, gestural paintings often depicted distorted figures and explored themes of existentialism and human frailty.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Multitud by Antonio Saura is a 1993 screenprint that reflects the artist’s recurring exploration of the human crowd as a psychological and social motif. The composition is densely filled with overlapping faces drawn in energetic black lines and shaded with tones of grey and white. Each face appears distorted, with exaggerated eyes, angular forms, and expressive marks, creating a chaotic yet rhythmic pattern across the surface. Rather than depicting identifiable individuals, Saura presents the crowd as a collective mass of fragmented identities, emphasizing tension, emotion, and the complexity of human presence. This approach aligns with Saura’s broader practice of transforming figurative imagery into powerful expressionist compositions. The screenprint measures 63.4 × 46.9 cm, was produced in an edition of 111, and is recorded in the catalogue raisonné under reference WCC.572.
Antonio Saura (Spain, 1930–1998) was a prominent painter and writer, known for his expressive abstract works. A key figure in post-war Spanish art, he co-founded the El Paso group, championing avant-garde movements. Saura's dynamic, gestural paintings often depicted distorted figures and explored themes of existentialism and human frailty.
I believe in love, justice, and poetry.
- Antonio Saura
Antonio Saura (b. 1930 Spain, d. 1998 Spain) was a prominent Spanish painter and writer, recognized as one of the leading figures in European abstract expressionism. Saura's work is characterized by its intense emotional depth, powerful gestural brushstrokes, and a dark, often monochromatic palette. He developed a unique style that combined abstraction with figurative elements, often focusing on the human figure, particularly distorted faces and torsos. Saura’s art was deeply influenced by the turmoil of the Spanish Civil War and his personal struggles, which are reflected in the raw, visceral energy of his paintings. He was a founding member of the El Paso group, a collective of avant-garde artists who sought to revitalize Spanish art in the post-war period by embracing abstraction and experimentation. Saura's work often engaged with themes of violence, repression, and existential anguish, making him a critical voice in the post-war art world. His paintings and drawings have been exhibited in major museums and galleries worldwide, solidifying his legacy as one of Spain's most significant 20th-century artists.
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.