Catalogue raisonné WCC.268.2.
Lithograph and zincograph.
Diada I by Antonio Saura is a 1977 lithograph and zincograph that reflects the artist’s recurring exploration of the crowd as a visual and psychological motif. The composition is densely filled with stylized faces and fragmented figures drawn in rapid black lines over muted grey tones. Each form appears distorted, with simplified shapes, expressive marks, and exaggerated features that create a sense of restless movement across the surface. Rather than depicting individual portraits, Saura presents a collective field of faces that merge into a complex visual pattern. The composition suggests themes of anonymity, tension, and shared human presence, which were central to Saura’s expressive graphic language. Measuring 59.5 × 88 cm, the print was produced in an edition of 125 and is listed in the catalogue raisonné under reference WCC.268.2.
Antonio Saura (Spain, 1930–1998) was a prominent painter and writer, known for his expressive abstract works. A key figure in post-war Spanish art, he co-founded the El Paso group, championing avant-garde movements. Saura's dynamic, gestural paintings often depicted distorted figures and explored themes of existentialism and human frailty.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Catalogue raisonné WCC.268.2.
Lithograph and zincograph.
Diada I by Antonio Saura is a 1977 lithograph and zincograph that reflects the artist’s recurring exploration of the crowd as a visual and psychological motif. The composition is densely filled with stylized faces and fragmented figures drawn in rapid black lines over muted grey tones. Each form appears distorted, with simplified shapes, expressive marks, and exaggerated features that create a sense of restless movement across the surface. Rather than depicting individual portraits, Saura presents a collective field of faces that merge into a complex visual pattern. The composition suggests themes of anonymity, tension, and shared human presence, which were central to Saura’s expressive graphic language. Measuring 59.5 × 88 cm, the print was produced in an edition of 125 and is listed in the catalogue raisonné under reference WCC.268.2.
Antonio Saura (Spain, 1930–1998) was a prominent painter and writer, known for his expressive abstract works. A key figure in post-war Spanish art, he co-founded the El Paso group, championing avant-garde movements. Saura's dynamic, gestural paintings often depicted distorted figures and explored themes of existentialism and human frailty.
I believe in love, justice, and poetry.
- Antonio Saura
Antonio Saura (b. 1930 Spain, d. 1998 Spain) was a prominent Spanish painter and writer, recognized as one of the leading figures in European abstract expressionism. Saura's work is characterized by its intense emotional depth, powerful gestural brushstrokes, and a dark, often monochromatic palette. He developed a unique style that combined abstraction with figurative elements, often focusing on the human figure, particularly distorted faces and torsos. Saura’s art was deeply influenced by the turmoil of the Spanish Civil War and his personal struggles, which are reflected in the raw, visceral energy of his paintings. He was a founding member of the El Paso group, a collective of avant-garde artists who sought to revitalize Spanish art in the post-war period by embracing abstraction and experimentation. Saura's work often engaged with themes of violence, repression, and existential anguish, making him a critical voice in the post-war art world. His paintings and drawings have been exhibited in major museums and galleries worldwide, solidifying his legacy as one of Spain's most significant 20th-century artists.
Arte Nucleare was the name of an artist group founded in Milan in 1951. The group aimed to create art that responded to the dangers and technologies of the nuclear age. Their works often utilized automatic techniques and depicted devastated landscapes and mushroom clouds, reflecting the anxieties of a world on the brink of nuclear catastrophe.