Triptico de Amsterdam 3 by Antonio Saura is a 1975 serigraph that brings together five expressive drawings arranged as a unified composition. Executed with rapid, gestural black lines, the figures appear fragmented and abstract, oscillating between human forms and symbolic shapes. The largest panel shows a distorted figure filled with restless marks, while the surrounding smaller images present simplified faces and bodies reduced to energetic strokes. The limited palette of black ink on light paper emphasizes the immediacy of Saura’s line and his interest in psychological intensity. Associated with the Spanish postwar avant-garde and the El Paso group, Saura frequently explored the human figure through distortion and repetition. Printed in an edition of 190 with additional artist and hors commerce impressions, the work demonstrates his powerful graphic language and spontaneous drawing style.
Antonio Saura (Spain, 1930–1998) was a prominent painter and writer, known for his expressive abstract works. A key figure in post-war Spanish art, he co-founded the El Paso group, championing avant-garde movements. Saura's dynamic, gestural paintings often depicted distorted figures and explored themes of existentialism and human frailty.
Serigraph Serigraph is a printmaking process that uses silk screen techniques to create an image. The image is digitally separated into individual colors, each of which is assigned to a separate silk screen. These screens are then used to apply each color by hand, layer by layer, to replicate the original artwork, often based on an oil painting.
Triptico de Amsterdam 3 by Antonio Saura is a 1975 serigraph that brings together five expressive drawings arranged as a unified composition. Executed with rapid, gestural black lines, the figures appear fragmented and abstract, oscillating between human forms and symbolic shapes. The largest panel shows a distorted figure filled with restless marks, while the surrounding smaller images present simplified faces and bodies reduced to energetic strokes. The limited palette of black ink on light paper emphasizes the immediacy of Saura’s line and his interest in psychological intensity. Associated with the Spanish postwar avant-garde and the El Paso group, Saura frequently explored the human figure through distortion and repetition. Printed in an edition of 190 with additional artist and hors commerce impressions, the work demonstrates his powerful graphic language and spontaneous drawing style.
Antonio Saura (Spain, 1930–1998) was a prominent painter and writer, known for his expressive abstract works. A key figure in post-war Spanish art, he co-founded the El Paso group, championing avant-garde movements. Saura's dynamic, gestural paintings often depicted distorted figures and explored themes of existentialism and human frailty.
I believe in love, justice, and poetry.
- Antonio Saura
Antonio Saura (b. 1930 Spain, d. 1998 Spain) was a prominent Spanish painter and writer, recognized as one of the leading figures in European abstract expressionism. Saura's work is characterized by its intense emotional depth, powerful gestural brushstrokes, and a dark, often monochromatic palette. He developed a unique style that combined abstraction with figurative elements, often focusing on the human figure, particularly distorted faces and torsos. Saura’s art was deeply influenced by the turmoil of the Spanish Civil War and his personal struggles, which are reflected in the raw, visceral energy of his paintings. He was a founding member of the El Paso group, a collective of avant-garde artists who sought to revitalize Spanish art in the post-war period by embracing abstraction and experimentation. Saura's work often engaged with themes of violence, repression, and existential anguish, making him a critical voice in the post-war art world. His paintings and drawings have been exhibited in major museums and galleries worldwide, solidifying his legacy as one of Spain's most significant 20th-century artists.
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.