Squeezed two light bulbs and glue in a plastic bag - Signed and dated lower right on label
Two Pears by Dieter Roth, created in 1969, is a mixed media piece that challenges conventional ideas of art through experimental materials and techniques. Roth used unconventional elements, squeezing two light bulbs and glue inside a plastic bag, to create an organic, textured surface on a mostly white background. The bulbs and glue have settled into a complex formation, with faint traces of color and translucent layering, evoking both fragility and decay. Roth's work often incorporates ephemeral materials, questioning the permanence and boundaries of art. This piece, signed and dated on a label in the lower right, reflects his avant-garde approach and fascination with material transformation.
Dieter Roth (Switzerland, 1930–1998) was a multifaceted artist known for his innovative use of materials, including decaying food, in sculptures and installations. His work often explored themes of transformation and impermanence, challenging traditional art boundaries. Roth's contributions significantly influenced contemporary art practices.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Squeezed two light bulbs and glue in a plastic bag - Signed and dated lower right on label
Two Pears by Dieter Roth, created in 1969, is a mixed media piece that challenges conventional ideas of art through experimental materials and techniques. Roth used unconventional elements, squeezing two light bulbs and glue inside a plastic bag, to create an organic, textured surface on a mostly white background. The bulbs and glue have settled into a complex formation, with faint traces of color and translucent layering, evoking both fragility and decay. Roth's work often incorporates ephemeral materials, questioning the permanence and boundaries of art. This piece, signed and dated on a label in the lower right, reflects his avant-garde approach and fascination with material transformation.
Dieter Roth (Switzerland, 1930–1998) was a multifaceted artist known for his innovative use of materials, including decaying food, in sculptures and installations. His work often explored themes of transformation and impermanence, challenging traditional art boundaries. Roth's contributions significantly influenced contemporary art practices.
An eyewitness account is evidence that an artist has proposed a work of art.
- Dieter Roth
Dieter Roth, also known as Dieter Rot and Diter Rot, was a German-born Icelandic artist most known for his artist’s books, sculptures, and installations, although he worked in drawing and painting as well. He worked with the Concrete, Fluxus, Op, and Maximalism art movements, though he was not fully committed to any specific movement. Much of Dieter Roth's early career was spent in Iceland, which was isolated from most of the European modernist movements, so Dieter Roth had the opportunity to develop a unique aesthetic. Dieter Roth’s work used a wide variety of unconventional mediums, including found material, biodegradable material, and food. Sculpture material included chocolate, banana, cheese, and rabbit excrement. Dieter Roth’s major contribution was creating the modern artist’s book. A key work is Literaturwurst (Literature Sausage, 1961 – 1964), which was made by processing and binding published text as sausage, and affixing the cover of the book to the sausage wrapper. These sausage books were the forerunner to later pieces that used food as the medium, often rotting food. The most well-known was the Staple Cheese (A Chase) exhibition, a series featuring suitcases filled with cheese along with cheese mounted on the gallery walls. The cheese would rot and degrade over time. Dieter Roth focused on large installations in the 1980s and 90s. His most famous work of this period was Gartenskulptor (Garden Sculpture), which was a constantly evolving installation featuring various diverse art pieces mounted on trellises. The installation was assembled and re-assembled in various gardens, and later indoors.
Automatism refers to a technique in the creative process that accesses material from the unconscious or subconscious mind. It is based on Sigmund Freud’s psychoanalytic method of free association. Artists value this process for its ability to inspire creative thought and spontaneous creation.