One of the 5 etchings, Las Estampas de la Cometa; Gustavo Gili, Barcelona, 1971 - On watermarked Arches paper - Plate: 52 x 79 cm. - Sheet: 75 x 105.3 cm.
Las Estampas de la Cometa 5 by Hans Hartung is part of a series of five etchings published in 1971 by Gustavo Gili in Barcelona. This work showcases Hartung’s abstract and gestural style, characterized by dynamic, sweeping lines and bold, rhythmic patterns. The composition features a series of thick, black lines that twist, curve, and intersect, creating a sense of movement and tension across the image. The etching's bold, graphic quality emphasizes the spontaneity and energy typical of Hartung's work, echoing influences of both abstract expressionism and gestural abstraction.Printed on watermarked Arches paper, the plate size measures 52 x 79 cm, while the entire sheet is 75 x 105.3 cm. The piece is part of a limited edition of 75, with additional HC (hors commerce) copies, underscoring its rarity and exclusivity. The work reflects Hartung’s exploration of form and motion, using simple yet powerful visual elements to create a dynamic composition.
Hans Hartung (Germany/France, 1904–1989) was a German-French painter renowned for his gestural abstract style. A leading figure in Art Informel and Lyrical Abstraction, he utilized dynamic brushstrokes and innovative techniques to convey emotion and spontaneity. Hartung's work significantly influenced post-war European abstraction.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
One of the 5 etchings, Las Estampas de la Cometa; Gustavo Gili, Barcelona, 1971 - On watermarked Arches paper - Plate: 52 x 79 cm. - Sheet: 75 x 105.3 cm.
Las Estampas de la Cometa 5 by Hans Hartung is part of a series of five etchings published in 1971 by Gustavo Gili in Barcelona. This work showcases Hartung’s abstract and gestural style, characterized by dynamic, sweeping lines and bold, rhythmic patterns. The composition features a series of thick, black lines that twist, curve, and intersect, creating a sense of movement and tension across the image. The etching's bold, graphic quality emphasizes the spontaneity and energy typical of Hartung's work, echoing influences of both abstract expressionism and gestural abstraction.Printed on watermarked Arches paper, the plate size measures 52 x 79 cm, while the entire sheet is 75 x 105.3 cm. The piece is part of a limited edition of 75, with additional HC (hors commerce) copies, underscoring its rarity and exclusivity. The work reflects Hartung’s exploration of form and motion, using simple yet powerful visual elements to create a dynamic composition.
Hans Hartung (Germany/France, 1904–1989) was a German-French painter renowned for his gestural abstract style. A leading figure in Art Informel and Lyrical Abstraction, he utilized dynamic brushstrokes and innovative techniques to convey emotion and spontaneity. Hartung's work significantly influenced post-war European abstraction.
Everything we feel deeply must be expressed.
- Hans Hartung
Hans Hartung was a German-French painter best known for gesturalabstract art. He developed his appreciation for German painters early in his life and enrolled in the Fine Arts academy of Dresden where he replicated paintings of the masters. Hans Hartung left his native country and moved to Paris where he had little contact with other artists and replicated the works of old and modern masters. After many trials through his personal life, Hans Hartung had his first solo exhibit in 1947 and by the late 1950’s his gestural paintings used almost all monochromatic. His uses of long rhythmical brushstrokes or scratches were characterizations of Hans's art work. He explored and experimented with different tools including; plant fronds, lithography, gardening tools and the wheels of a wheelchair. He received the International Grand Prix award at the Venice Biennale. Hans's technique of freewheeling abstract paintings set a precedent for painters to come. Young American painters in the 60's saw him as an important forerunner of American Lyrical Abstraction. Warren Forma featured him in the 1963 film documentary, "School of Paris." In his last year, Hans's focus was on presenting a sense of freedom and ambition that connected to his earlier work. The pieces hint at a natural world with qualities of shadow and light. They remain witness to his continuous and fearless exploration.
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.