Original Lithograph in Colors on Paper - Suite: Farandole
Lithograph V from Farandole by Hans Hartung, created in 1971, is a limited edition lithograph that embodies Hartung’s abstract expressionist style. The composition features dynamic, sweeping lines that arc and intersect, creating a sense of motion and energy. The use of light and dark contrasts adds depth, with bold, curving white strokes standing out against a darker background. The rhythmic arrangement of these gestural marks gives the piece a sense of fluidity and spontaneity. As part of the Farandole suite, this work reflects Hartung’s exploration of abstraction and the expressive potential of line and form, resulting in a powerful visual that captures the viewer’s attention.
Hans Hartung (Germany/France, 1904–1989) was a German-French painter renowned for his gestural abstract style. A leading figure in Art Informel and Lyrical Abstraction, he utilized dynamic brushstrokes and innovative techniques to convey emotion and spontaneity. Hartung's work significantly influenced post-war European abstraction.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Original Lithograph in Colors on Paper - Suite: Farandole
Lithograph V from Farandole by Hans Hartung, created in 1971, is a limited edition lithograph that embodies Hartung’s abstract expressionist style. The composition features dynamic, sweeping lines that arc and intersect, creating a sense of motion and energy. The use of light and dark contrasts adds depth, with bold, curving white strokes standing out against a darker background. The rhythmic arrangement of these gestural marks gives the piece a sense of fluidity and spontaneity. As part of the Farandole suite, this work reflects Hartung’s exploration of abstraction and the expressive potential of line and form, resulting in a powerful visual that captures the viewer’s attention.
Hans Hartung (Germany/France, 1904–1989) was a German-French painter renowned for his gestural abstract style. A leading figure in Art Informel and Lyrical Abstraction, he utilized dynamic brushstrokes and innovative techniques to convey emotion and spontaneity. Hartung's work significantly influenced post-war European abstraction.
Everything we feel deeply must be expressed.
- Hans Hartung
Hans Hartung was a German-French painter best known for gesturalabstract art. He developed his appreciation for German painters early in his life and enrolled in the Fine Arts academy of Dresden where he replicated paintings of the masters. Hans Hartung left his native country and moved to Paris where he had little contact with other artists and replicated the works of old and modern masters. After many trials through his personal life, Hans Hartung had his first solo exhibit in 1947 and by the late 1950’s his gestural paintings used almost all monochromatic. His uses of long rhythmical brushstrokes or scratches were characterizations of Hans's art work. He explored and experimented with different tools including; plant fronds, lithography, gardening tools and the wheels of a wheelchair. He received the International Grand Prix award at the Venice Biennale. Hans's technique of freewheeling abstract paintings set a precedent for painters to come. Young American painters in the 60's saw him as an important forerunner of American Lyrical Abstraction. Warren Forma featured him in the 1963 film documentary, "School of Paris." In his last year, Hans's focus was on presenting a sense of freedom and ambition that connected to his earlier work. The pieces hint at a natural world with qualities of shadow and light. They remain witness to his continuous and fearless exploration.
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.