Etching on Rives vellum paper.
Signed 'Hans Hartung' lower right
Published by L'Herne, Paris
Printed by Crommelynck, Paris.
Bibliography: RMM 362
In very good overall condition, with signs of wear typical of its era.
G 1973-2 by Hans Hartung is a striking etching from 1973, defined by its energetic black linear forms that loop and collide across a light background. Known for his contributions to Lyrical Abstraction and gestural abstraction, Hartung channels raw motion into a disciplined graphic composition. This edition, published by L'Herne and printed by Crommelynck in Paris, is limited to 100 copies, each signed by the artist. The print showcases Hartung’s mastery in conveying rhythm and emotion through the spontaneity of line.
Hans Hartung (Germany/France, 1904–1989) was a German-French painter renowned for his gestural abstract style. A leading figure in Art Informel and Lyrical Abstraction, he utilized dynamic brushstrokes and innovative techniques to convey emotion and spontaneity. Hartung's work significantly influenced post-war European abstraction.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
Etching on Rives vellum paper.
Signed 'Hans Hartung' lower right
Published by L'Herne, Paris
Printed by Crommelynck, Paris.
Bibliography: RMM 362
In very good overall condition, with signs of wear typical of its era.
G 1973-2 by Hans Hartung is a striking etching from 1973, defined by its energetic black linear forms that loop and collide across a light background. Known for his contributions to Lyrical Abstraction and gestural abstraction, Hartung channels raw motion into a disciplined graphic composition. This edition, published by L'Herne and printed by Crommelynck in Paris, is limited to 100 copies, each signed by the artist. The print showcases Hartung’s mastery in conveying rhythm and emotion through the spontaneity of line.
Hans Hartung (Germany/France, 1904–1989) was a German-French painter renowned for his gestural abstract style. A leading figure in Art Informel and Lyrical Abstraction, he utilized dynamic brushstrokes and innovative techniques to convey emotion and spontaneity. Hartung's work significantly influenced post-war European abstraction.
Everything we feel deeply must be expressed.
- Hans Hartung
Hans Hartung was a German-French painter best known for gesturalabstract art. He developed his appreciation for German painters early in his life and enrolled in the Fine Arts academy of Dresden where he replicated paintings of the masters. Hans Hartung left his native country and moved to Paris where he had little contact with other artists and replicated the works of old and modern masters. After many trials through his personal life, Hans Hartung had his first solo exhibit in 1947 and by the late 1950’s his gestural paintings used almost all monochromatic. His uses of long rhythmical brushstrokes or scratches were characterizations of Hans's art work. He explored and experimented with different tools including; plant fronds, lithography, gardening tools and the wheels of a wheelchair. He received the International Grand Prix award at the Venice Biennale. Hans's technique of freewheeling abstract paintings set a precedent for painters to come. Young American painters in the 60's saw him as an important forerunner of American Lyrical Abstraction. Warren Forma featured him in the 1963 film documentary, "School of Paris." In his last year, Hans's focus was on presenting a sense of freedom and ambition that connected to his earlier work. The pieces hint at a natural world with qualities of shadow and light. They remain witness to his continuous and fearless exploration.
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.