// Dialog - Gertrude by Jörg Immendorf is a compelling silkscreen print created in 2001, marked by surrealism and enigmatic imagery. The central figure, rendered in a luminous blue, stands against a stark, dark background, creating a haunting silhouette. The figure appears almost spectral, holding two poles, which adds a sense of balance and mystery to the composition. Surrounding this figure are various abstract, almost ghostly forms, evoking a dreamlike or subconscious realm. Immendorf’s work here seems to probe into themes of identity, interaction, and perhaps inner dialogue, using contrasts between light and dark to heighten the surreal atmosphere. This limited edition print (edition of 100) invites viewers into an introspective visual journey, characteristic of Immendorf’s exploration of the human psyche.
Jörg Immendorff (Germany, 1945–2007) was a German painter, sculptor, and stage designer associated with the Neue Wilde movement. His 'Café Deutschland' series critically examined German history and division. Immendorff's politically charged art often featured symbolic imagery, reflecting his engagement with social issues.
Silkscreen Silkscreen is a printmaking method that uses a screen made of silk or other mesh fabric. The screen is treated with a substance that blocks ink in certain areas, allowing ink to pass through only in the desired sections. Each color in the print requires a separate screen.
// Dialog - Gertrude by Jörg Immendorf is a compelling silkscreen print created in 2001, marked by surrealism and enigmatic imagery. The central figure, rendered in a luminous blue, stands against a stark, dark background, creating a haunting silhouette. The figure appears almost spectral, holding two poles, which adds a sense of balance and mystery to the composition. Surrounding this figure are various abstract, almost ghostly forms, evoking a dreamlike or subconscious realm. Immendorf’s work here seems to probe into themes of identity, interaction, and perhaps inner dialogue, using contrasts between light and dark to heighten the surreal atmosphere. This limited edition print (edition of 100) invites viewers into an introspective visual journey, characteristic of Immendorf’s exploration of the human psyche.
Jörg Immendorff (Germany, 1945–2007) was a German painter, sculptor, and stage designer associated with the Neue Wilde movement. His 'Café Deutschland' series critically examined German history and division. Immendorff's politically charged art often featured symbolic imagery, reflecting his engagement with social issues.
Whether or not the artist can fulfill a social function is a question that remains unanswered.
- Jorg Immendorf
A member of the Neue Wilde movement, Jorg Immendorff received acclaim for his largely figurative work across the mediums of painting and sculpture – Jorg has explained the reason for his figurative style by simply stating: ‘something is beautiful if it is honest’. Among Immendorff’s earliest works was the LIDL group of performances, sculptures and paintings, all of which depicted iconographic motifs that one could expect to find among the make-believe world of a child - motifs included playhouses; goldfish, turtles and dogs, and the body of work was created as a derisive criticism of the present artistic pretensions. Immendorf was influenced by the works of Renato Guttuso, as evidenced in his Café Deutschland work - a series of sixteen large-scale, socio-political paintings that depicted disco-goers as a symbol of the division between East and West Germany. Immendorff was never afraid to challenge the social and political tensions of his time, and was on one occasion arrested for defaming the German flag after appearing outside West German Parliament with a wooden block tethered to his ankle – the block was labeled LIDL and painted in colours of the flag.
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.