Linocut on wove paper. Hand-signed in pencil and numbered.
Cafe de Flore I channels the legendary Parisian literary café through Jörg Immendorff's raucous Neo-Expressionist vision. Vibrant red and orange dominate a chaotic scene teeming with monkey-like characters surrounded by food, drinks, and a glowing lamp overhead. The bold linocut technique strips the café mythology of its refined veneer, replacing it with raw, carnivalesque energy. Printed in an edition of 33, this 1997 work fuses art-historical homage with Immendorff's distinctive political satire, transforming a site of intellectual gathering into a theatre of unbridled expression.
Jörg Immendorff (Germany, 1945–2007) was a German painter, sculptor, and stage designer associated with the Neue Wilde movement. His 'Café Deutschland' series critically examined German history and division. Immendorff's politically charged art often featured symbolic imagery, reflecting his engagement with social issues.
LinocutLinocut is a printmaking technique similar to woodcut, where a sheet of linoleum is used as the relief surface. The design is carved into the linoleum using a V-shaped gouge or chisel, creating raised areas that form a mirror image of the final print. Ink is applied to the raised areas with a roller, and the linoleum sheet is then pressed onto fabric or paper. The printing can be done by hand or with a press.
Linocut on wove paper. Hand-signed in pencil and numbered.
Cafe de Flore I channels the legendary Parisian literary café through Jörg Immendorff's raucous Neo-Expressionist vision. Vibrant red and orange dominate a chaotic scene teeming with monkey-like characters surrounded by food, drinks, and a glowing lamp overhead. The bold linocut technique strips the café mythology of its refined veneer, replacing it with raw, carnivalesque energy. Printed in an edition of 33, this 1997 work fuses art-historical homage with Immendorff's distinctive political satire, transforming a site of intellectual gathering into a theatre of unbridled expression.
Jörg Immendorff (Germany, 1945–2007) was a German painter, sculptor, and stage designer associated with the Neue Wilde movement. His 'Café Deutschland' series critically examined German history and division. Immendorff's politically charged art often featured symbolic imagery, reflecting his engagement with social issues.
Whether or not the artist can fulfill a social function is a question that remains unanswered.
- Jorg Immendorf
A member of the Neue Wilde movement, Jorg Immendorff received acclaim for his largely figurative work across the mediums of painting and sculpture – Jorg has explained the reason for his figurative style by simply stating: ‘something is beautiful if it is honest’. Among Immendorff’s earliest works was the LIDL group of performances, sculptures and paintings, all of which depicted iconographic motifs that one could expect to find among the make-believe world of a child - motifs included playhouses; goldfish, turtles and dogs, and the body of work was created as a derisive criticism of the present artistic pretensions. Immendorf was influenced by the works of Renato Guttuso, as evidenced in his Café Deutschland work - a series of sixteen large-scale, socio-political paintings that depicted disco-goers as a symbol of the division between East and West Germany. Immendorff was never afraid to challenge the social and political tensions of his time, and was on one occasion arrested for defaming the German flag after appearing outside West German Parliament with a wooden block tethered to his ankle – the block was labeled LIDL and painted in colours of the flag.
Neue Wilden is the term German artists used for Neo-Expressionism. In the 1970s and 80s, expressive painting re-emerged in Germany, with artists embracing intense colors and broad brushstrokes. The movement grew in opposition to minimal and conceptual art, favoring a return to raw, emotional expression through bold and dynamic painting techniques.