// Hans Albers by Jörg Immendorff is a vibrant screen-print that pays tribute to the iconic German actor Hans Albers. This artwork uses bold colors—primarily blues, yellows, and purples—to create a bustling cityscape, with Albers depicted as a monumental figure standing confidently in the center. The composition is filled with animated figures and details, capturing a lively urban scene. Immendorff's expressive lines and saturated hues lend a theatrical feel to the piece, reflecting the energy and charisma associated with Albers' persona. This print serves as a homage to Albers' legacy in German cinema and culture.
Jörg Immendorff (Germany, 1945–2007) was a German painter, sculptor, and stage designer associated with the Neue Wilde movement. His 'Café Deutschland' series critically examined German history and division. Immendorff's politically charged art often featured symbolic imagery, reflecting his engagement with social issues.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
// Hans Albers by Jörg Immendorff is a vibrant screen-print that pays tribute to the iconic German actor Hans Albers. This artwork uses bold colors—primarily blues, yellows, and purples—to create a bustling cityscape, with Albers depicted as a monumental figure standing confidently in the center. The composition is filled with animated figures and details, capturing a lively urban scene. Immendorff's expressive lines and saturated hues lend a theatrical feel to the piece, reflecting the energy and charisma associated with Albers' persona. This print serves as a homage to Albers' legacy in German cinema and culture.
Jörg Immendorff (Germany, 1945–2007) was a German painter, sculptor, and stage designer associated with the Neue Wilde movement. His 'Café Deutschland' series critically examined German history and division. Immendorff's politically charged art often featured symbolic imagery, reflecting his engagement with social issues.
Whether or not the artist can fulfill a social function is a question that remains unanswered.
- Jorg Immendorf
A member of the Neue Wilde movement, Jorg Immendorff received acclaim for his largely figurative work across the mediums of painting and sculpture – Jorg has explained the reason for his figurative style by simply stating: ‘something is beautiful if it is honest’. Among Immendorff’s earliest works was the LIDL group of performances, sculptures and paintings, all of which depicted iconographic motifs that one could expect to find among the make-believe world of a child - motifs included playhouses; goldfish, turtles and dogs, and the body of work was created as a derisive criticism of the present artistic pretensions. Immendorf was influenced by the works of Renato Guttuso, as evidenced in his Café Deutschland work - a series of sixteen large-scale, socio-political paintings that depicted disco-goers as a symbol of the division between East and West Germany. Immendorff was never afraid to challenge the social and political tensions of his time, and was on one occasion arrested for defaming the German flag after appearing outside West German Parliament with a wooden block tethered to his ankle – the block was labeled LIDL and painted in colours of the flag.
Neue Wilden is the term German artists used for Neo-Expressionism. In the 1970s and 80s, expressive painting re-emerged in Germany, with artists embracing intense colors and broad brushstrokes. The movement grew in opposition to minimal and conceptual art, favoring a return to raw, emotional expression through bold and dynamic painting techniques.