Linocut on wove paper. Hand-signed in pencil and numbered.
Ständchen für B und D centres on a grand piano illuminated in golden yellow against a dark teal background, with figures gathered around the instrument in a musical serenade scene. The initials B and D inscribed on the piano suggest a personal dedication, lending intimacy to Jörg Immendorff's typically public imagery. Deep green and golden hues replace the artist's usual aggressive palette with something more lyrical yet equally charged. Printed in an edition of 35, this 1991 linocut reveals a contemplative dimension within Immendorff's otherwise combative graphic practice.
Jörg Immendorff (Germany, 1945–2007) was a German painter, sculptor, and stage designer associated with the Neue Wilde movement. His 'Café Deutschland' series critically examined German history and division. Immendorff's politically charged art often featured symbolic imagery, reflecting his engagement with social issues.
LinocutLinocut is a printmaking technique similar to woodcut, where a sheet of linoleum is used as the relief surface. The design is carved into the linoleum using a V-shaped gouge or chisel, creating raised areas that form a mirror image of the final print. Ink is applied to the raised areas with a roller, and the linoleum sheet is then pressed onto fabric or paper. The printing can be done by hand or with a press.
Linocut on wove paper. Hand-signed in pencil and numbered.
Ständchen für B und D centres on a grand piano illuminated in golden yellow against a dark teal background, with figures gathered around the instrument in a musical serenade scene. The initials B and D inscribed on the piano suggest a personal dedication, lending intimacy to Jörg Immendorff's typically public imagery. Deep green and golden hues replace the artist's usual aggressive palette with something more lyrical yet equally charged. Printed in an edition of 35, this 1991 linocut reveals a contemplative dimension within Immendorff's otherwise combative graphic practice.
Jörg Immendorff (Germany, 1945–2007) was a German painter, sculptor, and stage designer associated with the Neue Wilde movement. His 'Café Deutschland' series critically examined German history and division. Immendorff's politically charged art often featured symbolic imagery, reflecting his engagement with social issues.
Whether or not the artist can fulfill a social function is a question that remains unanswered.
- Jorg Immendorf
A member of the Neue Wilde movement, Jorg Immendorff received acclaim for his largely figurative work across the mediums of painting and sculpture – Jorg has explained the reason for his figurative style by simply stating: ‘something is beautiful if it is honest’. Among Immendorff’s earliest works was the LIDL group of performances, sculptures and paintings, all of which depicted iconographic motifs that one could expect to find among the make-believe world of a child - motifs included playhouses; goldfish, turtles and dogs, and the body of work was created as a derisive criticism of the present artistic pretensions. Immendorf was influenced by the works of Renato Guttuso, as evidenced in his Café Deutschland work - a series of sixteen large-scale, socio-political paintings that depicted disco-goers as a symbol of the division between East and West Germany. Immendorff was never afraid to challenge the social and political tensions of his time, and was on one occasion arrested for defaming the German flag after appearing outside West German Parliament with a wooden block tethered to his ankle – the block was labeled LIDL and painted in colours of the flag.
Lettrism is an art form that uses letters, words, and symbols to create artwork. The movement was established in Paris in the 1940s and later gained popularity in the 1950s in America. Lettrisme is the French spelling of the movement's name, derived from the French word for letter.