Hand-titled by the photographer in black ink, dated in pencil, verso
- With photographer’s copyright stamp, notes and catalogue number, verso
Nimeño II, Nîmes by Lucien Clergue, taken in 1980, is a captivating gelatin silver print that captures the intensity of a bullfighting scene. The photograph shows the matador, Nimeño II, in mid-action as he faces the charging bull in the arena at Nîmes. The composition emphasizes the grace and bravery of the matador, dressed in traditional traje de luces, as he leaps with precision, almost appearing weightless. The audience in the background, blurred yet engaged, adds to the drama and intensity of the moment. Hand-titled and dated by Clergue, the print bears the photographer's copyright stamp, further confirming its authenticity and value as a collector’s piece.
Lucien Clergue (France, 1934–2014) was a celebrated photographer known for his black-and-white images of nudes, landscapes, and Mediterranean culture. A close friend of Pablo Picasso, his work combined poetic composition with striking contrasts of light and shadow. Clergue was the first photographer elected to the Académie des Beaux-Arts in France.
Gelatin Silver PrintA silver gelatin print is a type of photographic print made using the silver process. In this process, photographic materials such as black and white films and printing papers are coated with a light-sensitive emulsion of silver salts suspended in gelatin. This emulsion is applied to a support, which could be flexible plastic, glass, resin-coated paper, or baryta paper. The materials are light-sensitive and remain stable under normal storage conditions, making them ideal for long-term preservation.
Hand-titled by the photographer in black ink, dated in pencil, verso
- With photographer’s copyright stamp, notes and catalogue number, verso
Nimeño II, Nîmes by Lucien Clergue, taken in 1980, is a captivating gelatin silver print that captures the intensity of a bullfighting scene. The photograph shows the matador, Nimeño II, in mid-action as he faces the charging bull in the arena at Nîmes. The composition emphasizes the grace and bravery of the matador, dressed in traditional traje de luces, as he leaps with precision, almost appearing weightless. The audience in the background, blurred yet engaged, adds to the drama and intensity of the moment. Hand-titled and dated by Clergue, the print bears the photographer's copyright stamp, further confirming its authenticity and value as a collector’s piece.
Lucien Clergue (France, 1934–2014) was a celebrated photographer known for his black-and-white images of nudes, landscapes, and Mediterranean culture. A close friend of Pablo Picasso, his work combined poetic composition with striking contrasts of light and shadow. Clergue was the first photographer elected to the Académie des Beaux-Arts in France.
Look, I am photographing my tomb!
- Lucien Clergue
Lucien Clergue (b. 1934 France, d. 2014 France) was a celebrated French photographer, known for his pioneering contributions to art photography. Clergue’s work is renowned for its poetic and evocative imagery, particularly his nudes, portraits, and studies of nature. He gained early recognition with his striking black-and-white photographs of nudes, which capture the human form with a sense of sculptural beauty and abstraction. Clergue was also deeply connected to the world of bullfighting and the landscapes of the Camargue, themes that frequently appeared in his work. A close friend of Pablo Picasso, Clergue’s photography often reflects a dialogue between photography and other forms of visual art. As a co-founder of the Rencontres d'Arles photography festival in 1970, Clergue played a crucial role in elevating photography to the status of fine art in France and beyond. (Artist website)
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.