Dos Figuras
Dos Figuras
Tamayo, Rufino | Dos Figuras, 1973 — available on Composition Gallery
Lithograph in colors; Hand-signed lower right in white crayon. Numbered lower left in white crayon. Ref.: Pereda 152
Dos Figuras exemplifies Rufino Tamayo's engagement with lyrical abstraction and figural suggestion within the lithographic medium. Executed in 1973 in a limited edition of seventy-five, the work demonstrates Tamayo's mastery of color relationships and compositional balance. The print celebrates the artist's distinctive voice as a Mexican modernist who successfully synthesized indigenous visual traditions with European formal innovation, creating a body of work that remains essential to twentieth-century Latin American art.
Artwork Copyright © Rufino Tamayo
Rufino Tamayo (Mexico, 1899–1991) blended modernism with Mexican heritage, creating bold, color-driven paintings and prints. Influenced by Zapotec culture, he avoided political narratives, focusing instead on universal themes and textured surfaces. His innovative use of color and form helped redefine 20th-century Mexican art beyond muralism.
Artwork Copyright © Rufino Tamayo

Dos Figuras, 1973

Form

Medium

Edition

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Lithograph in colors; Hand-signed lower right in white crayon. Numbered lower left in white crayon. Ref.: Pereda 152
Dos Figuras exemplifies Rufino Tamayo's engagement with lyrical abstraction and figural suggestion within the lithographic medium. Executed in 1973 in a limited edition of seventy-five, the work demonstrates Tamayo's mastery of color relationships and compositional balance. The print celebrates the artist's distinctive voice as a Mexican modernist who successfully synthesized indigenous visual traditions with European formal innovation, creating a body of work that remains essential to twentieth-century Latin American art.
Artwork Copyright © Rufino Tamayo
Rufino Tamayo (Mexico, 1899–1991) blended modernism with Mexican heritage, creating bold, color-driven paintings and prints. Influenced by Zapotec culture, he avoided political narratives, focusing instead on universal themes and textured surfaces. His innovative use of color and form helped redefine 20th-century Mexican art beyond muralism.
Artwork Copyright © Rufino Tamayo
Femme au Collant Rose

Rufino Tamayo

Femme au Collant Rose, 1969

Limited Edition Print

Lithograph

EUR 2,600

Personaje sentado

Rufino Tamayo

Personaje sentado, 1976

Limited Edition Print

Etching

EUR 4,375

Untitled (Textile)

Rufino Tamayo

Untitled (Textile), 1960s

Tapestry

Tapestry

Inquire For Price

Monolito

Rufino Tamayo

Monolito, 1981

Sculpture / Object

Mixed Media

Inquire For Price

Dos Figuras

Rufino Tamayo

Dos Figuras, 1973

Limited Edition Print

Lithograph

USD 5,980

Mujer con sandia

Rufino Tamayo

Mujer con sandia, 1950

Limited Edition Print

Lithograph

EUR 5,000

Bodegón

Rufino Tamayo

Bodegón, 1980

Limited Edition Print

Etching

EUR 5,200

Torre Blanca, P. 197

Rufino Tamayo

Torre Blanca, P. 197, 1976

Limited Edition Print

Etching

USD 5,500

Dos Figuras, P. 205

Rufino Tamayo

Dos Figuras, P. 205, 1976

Limited Edition Print

Etching

USD 6,600

Cabeza Sur Fonde Verte, P. 258

Rufino Tamayo

Cabeza Sur Fonde Verte, P. 258, 1984

Limited Edition Print

Etching

USD 6,600

Figura Sobre Azur

Rufino Tamayo

Figura Sobre Azur, 1976

Limited Edition Print

Etching

USD 5,200

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What is Surrealism?

What is Surrealism?

Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

Tamayo, Rufino | Dos Figuras, 1973 — available on Composition Gallery

Rufino Tamayo

Dos Figuras, 1973

76 x 56 cm

Est. 2005 — twenty years of collecting, online.