
What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
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Artworks Related to Nouveau Realism
Javacheff Christo
The Umbrellas (Project for Japan and Western USA), 1987
Limited Edition Print
Offset Print
USD 1,350
Bernar Venet
Position of three major arcs of 265.5° each, 1981
Limited Edition Print
Mixed Media
EUR 3,700

Anti-Art refers to artwork that challenges traditional definitions of art. The term is often attributed to artist Marcel Duchamp, who pioneered the use of readymades—everyday objects presented as art. These works defied conventional expectations that art should adhere to traditional or high art standards.

Avant-garde refers to innovative and experimental ideas in the arts that challenge established norms and conventions. Originating from the French term for advance guard, it describes both the movement and the artists who push the boundaries of creativity, often exploring new techniques, forms, and concepts. The avant-garde has been a driving force in various art movements throughout history, such as Dadaism, Surrealism, and Abstract Expressionism, continually reshaping the landscape of art and culture.

Plaster is a mixture of heat-treated powdered gypsum combined with water to create a workable material. It can be used to make solid sculptures, cast in molds, carved, modeled, or attached to other materials. Artists have used plaster for both working models and finished artworks for centuries due to its versatility.
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