Screenprint in colors.
Image: 24 h × 23 w in (61 × 58 cm).
Sheet: 25 h × 23.5 w in (63 × 60 cm).
Signed and numbered to lower edge.
B-Bomb-b (3) by Victor Vasarely is a 1974 screenprint in colors that explores the optical transformation of a flat geometric grid into an apparently three-dimensional form. A warm ochre-brown lattice stretches across a yellow field, bending dramatically around a large central sphere. Within this swelling form, the colors deepen through olive and dark green to an almost black core, strengthening the illusion of volume and depth. The regular grid becomes increasingly distorted as it approaches the center, demonstrating Vasarely’s characteristic use of mathematical structure to challenge visual perception. Measuring approximately 63 × 60 cm as a sheet, this signed and numbered print is a clear example of the artist’s influential Op Art vocabulary.
Victor Vasarely (Hungary/France, 1906–1997) was a pioneering figure in Op Art, celebrated for his geometric abstractions that create optical illusions of depth and movement. His work, characterized by vibrant colors and precise patterns, redefined visual perception in art and remains influential in both the art and design worlds.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Screenprint in colors.
Image: 24 h × 23 w in (61 × 58 cm).
Sheet: 25 h × 23.5 w in (63 × 60 cm).
Signed and numbered to lower edge.
B-Bomb-b (3) by Victor Vasarely is a 1974 screenprint in colors that explores the optical transformation of a flat geometric grid into an apparently three-dimensional form. A warm ochre-brown lattice stretches across a yellow field, bending dramatically around a large central sphere. Within this swelling form, the colors deepen through olive and dark green to an almost black core, strengthening the illusion of volume and depth. The regular grid becomes increasingly distorted as it approaches the center, demonstrating Vasarely’s characteristic use of mathematical structure to challenge visual perception. Measuring approximately 63 × 60 cm as a sheet, this signed and numbered print is a clear example of the artist’s influential Op Art vocabulary.
Victor Vasarely (Hungary/France, 1906–1997) was a pioneering figure in Op Art, celebrated for his geometric abstractions that create optical illusions of depth and movement. His work, characterized by vibrant colors and precise patterns, redefined visual perception in art and remains influential in both the art and design worlds.
It is the original idea that is unique, not the object itself.
- Victor Vasarely
Widely regarded as the 'grandfather’ and leading figure of the Op Art movement, Victor Vasarely was a sculptor and painter whose works often combine colourful graphics with geometric shapes to create the illusion of spatial depth, exemplified in such works as Vega-Nor. Vasarely initially began as a poster artist and graphic designer before experimenting artistically with textural effects and the interplay between shadow and light, resulting in such works as Zebra, which is broadly accepted as one of the first examples of Op Art; the artist worked with numerous materials including Perspex and wood, but only a minimal number of colours and forms. Throughout his career, Vasarely experimented with numerous styles including surrealism and cubism, but was most notably inspired by the methods of Bauhaus and Constructivism, as well as painter and art theorist Wassily Kandinsky. (Artist website)
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.