Published by Fondation Vasarely, Château de Gordes.
Printed by Arcay, Paris.
Catalog : Benavides 166
Paper size: 72 cm. x 62 cm. | 28.35 in. x 24.41 in.
Image size: 51 cm. x 51 cm. | 20.08 in. x 20.08 in.
Part of the 'Gordes' album, completed in 1971.
Gordes OND DVA (1971) by Victor Vasarely is a striking silkscreen print exemplifying the artist’s pioneering Op Art style. Using a tightly arranged grid of blue and violet squares, Vasarely manipulates spatial perception, creating an optical illusion of bulging and receding forms. The central area appears to radiate with luminous intensity, while the edges curve inward, emphasizing a rhythmic pulsation within the flat plane. Printed by Arcay in Paris and published by Fondation Vasarely at Château de Gordes, this work belongs to an edition of 250 and forms part of the artist’s “Gordes” album, which explores visual dynamics through geometric abstraction.
Victor Vasarely (Hungary/France, 1906–1997) was a pioneering figure in Op Art, celebrated for his geometric abstractions that create optical illusions of depth and movement. His work, characterized by vibrant colors and precise patterns, redefined visual perception in art and remains influential in both the art and design worlds.
Silkscreen Silkscreen is a printmaking method that uses a screen made of silk or other mesh fabric. The screen is treated with a substance that blocks ink in certain areas, allowing ink to pass through only in the desired sections. Each color in the print requires a separate screen.
Published by Fondation Vasarely, Château de Gordes.
Printed by Arcay, Paris.
Catalog : Benavides 166
Paper size: 72 cm. x 62 cm. | 28.35 in. x 24.41 in.
Image size: 51 cm. x 51 cm. | 20.08 in. x 20.08 in.
Part of the 'Gordes' album, completed in 1971.
Gordes OND DVA (1971) by Victor Vasarely is a striking silkscreen print exemplifying the artist’s pioneering Op Art style. Using a tightly arranged grid of blue and violet squares, Vasarely manipulates spatial perception, creating an optical illusion of bulging and receding forms. The central area appears to radiate with luminous intensity, while the edges curve inward, emphasizing a rhythmic pulsation within the flat plane. Printed by Arcay in Paris and published by Fondation Vasarely at Château de Gordes, this work belongs to an edition of 250 and forms part of the artist’s “Gordes” album, which explores visual dynamics through geometric abstraction.
Victor Vasarely (Hungary/France, 1906–1997) was a pioneering figure in Op Art, celebrated for his geometric abstractions that create optical illusions of depth and movement. His work, characterized by vibrant colors and precise patterns, redefined visual perception in art and remains influential in both the art and design worlds.
It is the original idea that is unique, not the object itself.
- Victor Vasarely
Widely regarded as the 'grandfather’ and leading figure of the Op Art movement, Victor Vasarely was a sculptor and painter whose works often combine colourful graphics with geometric shapes to create the illusion of spatial depth, exemplified in such works as Vega-Nor. Vasarely initially began as a poster artist and graphic designer before experimenting artistically with textural effects and the interplay between shadow and light, resulting in such works as Zebra, which is broadly accepted as one of the first examples of Op Art; the artist worked with numerous materials including Perspex and wood, but only a minimal number of colours and forms. Throughout his career, Vasarely experimented with numerous styles including surrealism and cubism, but was most notably inspired by the methods of Bauhaus and Constructivism, as well as painter and art theorist Wassily Kandinsky. (Artist website)
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.