Victor Vasarely, VP-118 is a screen-print from 1972 that exemplifies his mastery of Op Art. The artwork features two distinct sections, both composed of patterns of circles and ellipses that create an illusion of depth and movement. In the upper section, a spherical form appears to bulge outward, its dark and light circles generating a three-dimensional effect. The lower section uses a similar pattern but inverts the perspective, creating a recessed, tunnel-like effect. The use of warm orange, yellow, and black tones contrasts sharply with the cooler gray backdrop, further enhancing the optical illusion. This hand-signed and numbered print demonstrates Vasarely's deep engagement with visual perception, geometry, and the manipulation of spatial depth through repetition and color.
Very good condition. Some even toning to the paper due to age. a few creases in the margin. Image is intact with strong colors. Printed on cardboard.
Victor Vasarely (Hungary/France, 1906–1997) was a pioneering figure in Op Art, celebrated for his geometric abstractions that create optical illusions of depth and movement. His work, characterized by vibrant colors and precise patterns, redefined visual perception in art and remains influential in both the art and design worlds.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Victor Vasarely, VP-118 is a screen-print from 1972 that exemplifies his mastery of Op Art. The artwork features two distinct sections, both composed of patterns of circles and ellipses that create an illusion of depth and movement. In the upper section, a spherical form appears to bulge outward, its dark and light circles generating a three-dimensional effect. The lower section uses a similar pattern but inverts the perspective, creating a recessed, tunnel-like effect. The use of warm orange, yellow, and black tones contrasts sharply with the cooler gray backdrop, further enhancing the optical illusion. This hand-signed and numbered print demonstrates Vasarely's deep engagement with visual perception, geometry, and the manipulation of spatial depth through repetition and color.
Very good condition. Some even toning to the paper due to age. a few creases in the margin. Image is intact with strong colors. Printed on cardboard.
Victor Vasarely (Hungary/France, 1906–1997) was a pioneering figure in Op Art, celebrated for his geometric abstractions that create optical illusions of depth and movement. His work, characterized by vibrant colors and precise patterns, redefined visual perception in art and remains influential in both the art and design worlds.
It is the original idea that is unique, not the object itself.
- Victor Vasarely
Widely regarded as the 'grandfather’ and leading figure of the Op Art movement, Victor Vasarely was a sculptor and painter whose works often combine colourful graphics with geometric shapes to create the illusion of spatial depth, exemplified in such works as Vega-Nor. Vasarely initially began as a poster artist and graphic designer before experimenting artistically with textural effects and the interplay between shadow and light, resulting in such works as Zebra, which is broadly accepted as one of the first examples of Op Art; the artist worked with numerous materials including Perspex and wood, but only a minimal number of colours and forms. Throughout his career, Vasarely experimented with numerous styles including surrealism and cubism, but was most notably inspired by the methods of Bauhaus and Constructivism, as well as painter and art theorist Wassily Kandinsky. (Artist website)
Constructivism is an architectural and artistic philosophy of Russian origin that emerged as a rejection of the idea of autonomous art. The movement advocated for art to serve practical social purposes. Since its inception in 1919, Constructivism has evolved and significantly impacted 20th-century art movements, influencing major trends such as De Stijl and Bauhaus.