From the Gordes portfolio.
Screenprint on white cardboard, signed and numbered in pencil.
Sheet: 72 x 62 cm
Image: 60 x 42 cm
Published by Fondation Vasarely, Château de Gordes
Printed by Arcay, Paris.
Reference : Benavides 165
Gordes Kidio (1971) by Victor Vasarely is a compelling screenprint from his influential Gordes portfolio, which explores the visual language of geometric abstraction and optical illusion. Executed on white cardboard, the composition features a meticulously arranged structure of angular shapes and vivid color blocks, creating a dynamic interplay of perspective and depth. Vasarely employs a grid-based system to manipulate visual perception, generating a kinetic effect that appears to shift and pulsate as the viewer’s gaze moves across the surface. The work exemplifies his systematic approach to color theory and spatial distortion, inviting viewers into an active visual engagement with the piece. Hand-signed and numbered in an edition of 250, Gordes Kidio was published by the Fondation Vasarely in Château de Gordes and printed by Arcay in Paris. It stands as a quintessential example of Vasarely’s vision of art as a participatory optical experience.
Victor Vasarely (Hungary/France, 1906–1997) was a pioneering figure in Op Art, celebrated for his geometric abstractions that create optical illusions of depth and movement. His work, characterized by vibrant colors and precise patterns, redefined visual perception in art and remains influential in both the art and design worlds.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
From the Gordes portfolio.
Screenprint on white cardboard, signed and numbered in pencil.
Sheet: 72 x 62 cm
Image: 60 x 42 cm
Published by Fondation Vasarely, Château de Gordes
Printed by Arcay, Paris.
Reference : Benavides 165
Gordes Kidio (1971) by Victor Vasarely is a compelling screenprint from his influential Gordes portfolio, which explores the visual language of geometric abstraction and optical illusion. Executed on white cardboard, the composition features a meticulously arranged structure of angular shapes and vivid color blocks, creating a dynamic interplay of perspective and depth. Vasarely employs a grid-based system to manipulate visual perception, generating a kinetic effect that appears to shift and pulsate as the viewer’s gaze moves across the surface. The work exemplifies his systematic approach to color theory and spatial distortion, inviting viewers into an active visual engagement with the piece. Hand-signed and numbered in an edition of 250, Gordes Kidio was published by the Fondation Vasarely in Château de Gordes and printed by Arcay in Paris. It stands as a quintessential example of Vasarely’s vision of art as a participatory optical experience.
Victor Vasarely (Hungary/France, 1906–1997) was a pioneering figure in Op Art, celebrated for his geometric abstractions that create optical illusions of depth and movement. His work, characterized by vibrant colors and precise patterns, redefined visual perception in art and remains influential in both the art and design worlds.
It is the original idea that is unique, not the object itself.
- Victor Vasarely
Widely regarded as the 'grandfather’ and leading figure of the Op Art movement, Victor Vasarely was a sculptor and painter whose works often combine colourful graphics with geometric shapes to create the illusion of spatial depth, exemplified in such works as Vega-Nor. Vasarely initially began as a poster artist and graphic designer before experimenting artistically with textural effects and the interplay between shadow and light, resulting in such works as Zebra, which is broadly accepted as one of the first examples of Op Art; the artist worked with numerous materials including Perspex and wood, but only a minimal number of colours and forms. Throughout his career, Vasarely experimented with numerous styles including surrealism and cubism, but was most notably inspired by the methods of Bauhaus and Constructivism, as well as painter and art theorist Wassily Kandinsky. (Artist website)
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.