Acrylic and Silkscreen Sculpture - Number FV 19-20 - Hand-signed by Vasarely in black ink - Edition Fondation Vasarely
Victor Vasarely's HOLLD (Moire Tower) (1990) is a striking acrylic and silkscreen sculpture that plays with optical illusions and the perception of movement. This tower-like structure, created as part of an edition by Fondation Vasarely, features meticulously arranged patterns that generate a moiré effect, creating waves and undulating shapes as the viewer shifts perspective. The transparency of the acrylic material allows light to pass through, enhancing the dynamic visual effect and giving the sculpture an ethereal quality. Hand-signed by Vasarely, this piece embodies the artist’s pioneering work in Op Art, emphasizing the interaction between form, light, and viewer movement to create a sense of depth and motion within a static object.
Victor Vasarely (Hungary/France, 1906–1997) was a pioneering figure in Op Art, celebrated for his geometric abstractions that create optical illusions of depth and movement. His work, characterized by vibrant colors and precise patterns, redefined visual perception in art and remains influential in both the art and design worlds.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Acrylic and Silkscreen Sculpture - Number FV 19-20 - Hand-signed by Vasarely in black ink - Edition Fondation Vasarely
Victor Vasarely's HOLLD (Moire Tower) (1990) is a striking acrylic and silkscreen sculpture that plays with optical illusions and the perception of movement. This tower-like structure, created as part of an edition by Fondation Vasarely, features meticulously arranged patterns that generate a moiré effect, creating waves and undulating shapes as the viewer shifts perspective. The transparency of the acrylic material allows light to pass through, enhancing the dynamic visual effect and giving the sculpture an ethereal quality. Hand-signed by Vasarely, this piece embodies the artist’s pioneering work in Op Art, emphasizing the interaction between form, light, and viewer movement to create a sense of depth and motion within a static object.
Victor Vasarely (Hungary/France, 1906–1997) was a pioneering figure in Op Art, celebrated for his geometric abstractions that create optical illusions of depth and movement. His work, characterized by vibrant colors and precise patterns, redefined visual perception in art and remains influential in both the art and design worlds.
It is the original idea that is unique, not the object itself.
- Victor Vasarely
Widely regarded as the 'grandfather’ and leading figure of the Op Art movement, Victor Vasarely was a sculptor and painter whose works often combine colourful graphics with geometric shapes to create the illusion of spatial depth, exemplified in such works as Vega-Nor. Vasarely initially began as a poster artist and graphic designer before experimenting artistically with textural effects and the interplay between shadow and light, resulting in such works as Zebra, which is broadly accepted as one of the first examples of Op Art; the artist worked with numerous materials including Perspex and wood, but only a minimal number of colours and forms. Throughout his career, Vasarely experimented with numerous styles including surrealism and cubism, but was most notably inspired by the methods of Bauhaus and Constructivism, as well as painter and art theorist Wassily Kandinsky. (Artist website)
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.