Serigraph on Acitate Over Serigraph on Paper.
Publishes by Editions du Griffon Neuchatel.
Suite: Profound Works.
Unsigned, unnumbered.
Victor Vasarely’s Profound Works 7 (1973) is a striking example of Op Art, showcasing his mastery of geometric abstraction and optical illusion. Created using a layered technique—serigraph on acetate over serigraph on paper—the piece produces a dynamic interplay of depth and movement. A grid of black circular forms appears to warp and recede towards the center, creating a pulsating, three-dimensional effect that draws the viewer’s eye inward. The precision and repetition of shapes reflect Vasarely’s fascination with perception and spatial distortion. Published by Editions du Griffon Neuchatel as part of the Profound Works suite, this rare limited-edition print exemplifies his exploration of visual kinetics and the illusion of motion within a static medium.
Victor Vasarely (Hungary/France, 1906–1997) was a pioneering figure in Op Art, celebrated for his geometric abstractions that create optical illusions of depth and movement. His work, characterized by vibrant colors and precise patterns, redefined visual perception in art and remains influential in both the art and design worlds.
Serigraph Serigraph is a printmaking process that uses silk screen techniques to create an image. The image is digitally separated into individual colors, each of which is assigned to a separate silk screen. These screens are then used to apply each color by hand, layer by layer, to replicate the original artwork, often based on an oil painting.
Serigraph on Acitate Over Serigraph on Paper.
Publishes by Editions du Griffon Neuchatel.
Suite: Profound Works.
Unsigned, unnumbered.
Victor Vasarely’s Profound Works 7 (1973) is a striking example of Op Art, showcasing his mastery of geometric abstraction and optical illusion. Created using a layered technique—serigraph on acetate over serigraph on paper—the piece produces a dynamic interplay of depth and movement. A grid of black circular forms appears to warp and recede towards the center, creating a pulsating, three-dimensional effect that draws the viewer’s eye inward. The precision and repetition of shapes reflect Vasarely’s fascination with perception and spatial distortion. Published by Editions du Griffon Neuchatel as part of the Profound Works suite, this rare limited-edition print exemplifies his exploration of visual kinetics and the illusion of motion within a static medium.
Victor Vasarely (Hungary/France, 1906–1997) was a pioneering figure in Op Art, celebrated for his geometric abstractions that create optical illusions of depth and movement. His work, characterized by vibrant colors and precise patterns, redefined visual perception in art and remains influential in both the art and design worlds.
It is the original idea that is unique, not the object itself.
- Victor Vasarely
Widely regarded as the 'grandfather’ and leading figure of the Op Art movement, Victor Vasarely was a sculptor and painter whose works often combine colourful graphics with geometric shapes to create the illusion of spatial depth, exemplified in such works as Vega-Nor. Vasarely initially began as a poster artist and graphic designer before experimenting artistically with textural effects and the interplay between shadow and light, resulting in such works as Zebra, which is broadly accepted as one of the first examples of Op Art; the artist worked with numerous materials including Perspex and wood, but only a minimal number of colours and forms. Throughout his career, Vasarely experimented with numerous styles including surrealism and cubism, but was most notably inspired by the methods of Bauhaus and Constructivism, as well as painter and art theorist Wassily Kandinsky. (Artist website)
Op Art is a visual art style that uses optical illusions to create the impression of movement, vibrating patterns, flashing, or hidden images. The works are typically abstract, with many well-known pieces in black and white. The roots of Op Art can be traced back to earlier movements like Futurism, Constructivism, Dada, and Neo-Impressionism, particularly in their use of color effects and graphic design.