Screenprint in colours with lamé, on Kakita-shi paper
- Signed, numbered, dated and titled on front
Yayoi Kusama’s Ashtray (1990) is a colorful and intricate screenprint on Kakita-shi paper, showcasing the artist’s signature use of repetitive patterns and vivid color contrasts. The composition features a patterned ashtray filled with cigarette butts, surrounded by swirling smoke rendered in Kusama’s iconic dot motifs. The combination of vibrant colors, textures, and lamé details creates a dynamic and engaging piece. Measuring 60 x 68 cm, this screenprint is part of a limited edition of 100, each signed, numbered, dated, and titled by the artist on the front. It’s a striking example of Kusama’s ability to transform everyday objects into captivating art.
Yayoi Kusama (Japan, 1929) is a pioneering artist known for her avant-garde vision, using polka dots, mirrors, and immersive installations to explore themes of infinity and self-obliteration. Her 'Infinity Rooms' and bold, colorful works have redefined contemporary art, influencing pop art and minimalism. Kusama’s art blends obsession with beauty and transcendence, making her globally celebrated.
Silkscreen Silkscreen is a printmaking method that uses a screen made of silk or other mesh fabric. The screen is treated with a substance that blocks ink in certain areas, allowing ink to pass through only in the desired sections. Each color in the print requires a separate screen.
Screenprint in colours with lamé, on Kakita-shi paper
- Signed, numbered, dated and titled on front
Yayoi Kusama’s Ashtray (1990) is a colorful and intricate screenprint on Kakita-shi paper, showcasing the artist’s signature use of repetitive patterns and vivid color contrasts. The composition features a patterned ashtray filled with cigarette butts, surrounded by swirling smoke rendered in Kusama’s iconic dot motifs. The combination of vibrant colors, textures, and lamé details creates a dynamic and engaging piece. Measuring 60 x 68 cm, this screenprint is part of a limited edition of 100, each signed, numbered, dated, and titled by the artist on the front. It’s a striking example of Kusama’s ability to transform everyday objects into captivating art.
Yayoi Kusama (Japan, 1929) is a pioneering artist known for her avant-garde vision, using polka dots, mirrors, and immersive installations to explore themes of infinity and self-obliteration. Her 'Infinity Rooms' and bold, colorful works have redefined contemporary art, influencing pop art and minimalism. Kusama’s art blends obsession with beauty and transcendence, making her globally celebrated.
My life is a dot lost among thousands of other dots.
- Yayoi Kusama
Celebrated for her liberal and multi-faceted approach to creation, Yayoi Kusama is a prominent artist who works primarily across the mediums of installation and sculpture, as well as performance, poetry and painting – Kusama has a unique style with works spanning minimalism, surrealism, conceptual art and abstract expression. Among Kusama's acclaimed works is Grand Orgy to Awaken the Dead, one among many highly public ‘happenings’, in which naked participants were covered in a range of brightly coloured polka-dots; these dots, as well as the theme of infinity, became signature traits of her art – Kasuma has commented on the repetitive nature of her creativity in describing herself as an ‘obsessive artist’. Kusama counts fellow artists Eva Hesse and Donald Judd as close friends and influences, and her work has also been of inspiration to Andy Warhol and the Pop Art style. (Artist website)
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.