Vase (2) (Kusama 167) by Yayoi Kusama is a 1992 lithograph measuring 44.6 x 31.7 cm, created in an edition of 50. The composition presents a stylized bouquet in a jug, executed in Kusama’s signature patterning of repeated dots and web-like lines. Rendered in striking red against a deep black background, the work fuses simplicity with optical complexity. The detailed interplay between organic floral forms and structured patterns evokes both serenity and intensity. Signed, titled, dated, and numbered on the front, this piece reflects Kusama’s persistent exploration of psychological space through everyday subjects. Slight imperfections may be present due to the print's age.
Yayoi Kusama (Japan, 1929) is a pioneering artist known for her avant-garde vision, using polka dots, mirrors, and immersive installations to explore themes of infinity and self-obliteration. Her 'Infinity Rooms' and bold, colorful works have redefined contemporary art, influencing pop art and minimalism. Kusama’s art blends obsession with beauty and transcendence, making her globally celebrated.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Vase (2) (Kusama 167) by Yayoi Kusama is a 1992 lithograph measuring 44.6 x 31.7 cm, created in an edition of 50. The composition presents a stylized bouquet in a jug, executed in Kusama’s signature patterning of repeated dots and web-like lines. Rendered in striking red against a deep black background, the work fuses simplicity with optical complexity. The detailed interplay between organic floral forms and structured patterns evokes both serenity and intensity. Signed, titled, dated, and numbered on the front, this piece reflects Kusama’s persistent exploration of psychological space through everyday subjects. Slight imperfections may be present due to the print's age.
Yayoi Kusama (Japan, 1929) is a pioneering artist known for her avant-garde vision, using polka dots, mirrors, and immersive installations to explore themes of infinity and self-obliteration. Her 'Infinity Rooms' and bold, colorful works have redefined contemporary art, influencing pop art and minimalism. Kusama’s art blends obsession with beauty and transcendence, making her globally celebrated.
My life is a dot lost among thousands of other dots.
- Yayoi Kusama
Celebrated for her liberal and multi-faceted approach to creation, Yayoi Kusama is a prominent artist who works primarily across the mediums of installation and sculpture, as well as performance, poetry and painting – Kusama has a unique style with works spanning minimalism, surrealism, conceptual art and abstract expression. Among Kusama's acclaimed works is Grand Orgy to Awaken the Dead, one among many highly public ‘happenings’, in which naked participants were covered in a range of brightly coloured polka-dots; these dots, as well as the theme of infinity, became signature traits of her art – Kasuma has commented on the repetitive nature of her creativity in describing herself as an ‘obsessive artist’. Kusama counts fellow artists Eva Hesse and Donald Judd as close friends and influences, and her work has also been of inspiration to Andy Warhol and the Pop Art style. (Artist website)
Feminist art refers to the art that emerged from the feminist art movement during the 1960s and 1970s. It developed with the intention of critiquing 20th-century gender ideals and challenging the traditional canon of art history. Feminist art seeks to create a dialogue between the artwork and the viewer through a feminist lens, often addressing issues of gender, identity, and social justic