Screenprint in colours with lamé on BFK Rives paper -
Signed, titled, dated and numbered in pencil. Authenticated by the Kusama Studio
Yayoi Kusama's Chapeau (II) (2000) is a limited edition screen print on BFK Rives paper, measuring 50 x 65 cm. The artwork features a vibrant, stylized hat depicted in Kusama’s signature style, incorporating repetitive patterns and bold colors. The central form, resembling a hat, is composed of alternating bands of red and yellow dotted patterns, highlighted with blue accents, all set against a densely patterned green background bordered with a pink and red motif. Kusama’s use of repetitive dots and intricate patterns draws the viewer into a mesmerizing visual experience, echoing her fascination with infinity and immersive detail. This playful yet intricate composition showcases her ability to transform a simple object into a captivating, psychedelic display.
Yayoi Kusama (Japan, 1929) is a pioneering artist known for her avant-garde vision, using polka dots, mirrors, and immersive installations to explore themes of infinity and self-obliteration. Her 'Infinity Rooms' and bold, colorful works have redefined contemporary art, influencing pop art and minimalism. Kusama’s art blends obsession with beauty and transcendence, making her globally celebrated.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Screenprint in colours with lamé on BFK Rives paper -
Signed, titled, dated and numbered in pencil. Authenticated by the Kusama Studio
Yayoi Kusama's Chapeau (II) (2000) is a limited edition screen print on BFK Rives paper, measuring 50 x 65 cm. The artwork features a vibrant, stylized hat depicted in Kusama’s signature style, incorporating repetitive patterns and bold colors. The central form, resembling a hat, is composed of alternating bands of red and yellow dotted patterns, highlighted with blue accents, all set against a densely patterned green background bordered with a pink and red motif. Kusama’s use of repetitive dots and intricate patterns draws the viewer into a mesmerizing visual experience, echoing her fascination with infinity and immersive detail. This playful yet intricate composition showcases her ability to transform a simple object into a captivating, psychedelic display.
Yayoi Kusama (Japan, 1929) is a pioneering artist known for her avant-garde vision, using polka dots, mirrors, and immersive installations to explore themes of infinity and self-obliteration. Her 'Infinity Rooms' and bold, colorful works have redefined contemporary art, influencing pop art and minimalism. Kusama’s art blends obsession with beauty and transcendence, making her globally celebrated.
My life is a dot lost among thousands of other dots.
- Yayoi Kusama
Celebrated for her liberal and multi-faceted approach to creation, Yayoi Kusama is a prominent artist who works primarily across the mediums of installation and sculpture, as well as performance, poetry and painting – Kusama has a unique style with works spanning minimalism, surrealism, conceptual art and abstract expression. Among Kusama's acclaimed works is Grand Orgy to Awaken the Dead, one among many highly public ‘happenings’, in which naked participants were covered in a range of brightly coloured polka-dots; these dots, as well as the theme of infinity, became signature traits of her art – Kasuma has commented on the repetitive nature of her creativity in describing herself as an ‘obsessive artist’. Kusama counts fellow artists Eva Hesse and Donald Judd as close friends and influences, and her work has also been of inspiration to Andy Warhol and the Pop Art style. (Artist website)
Environmental art is a collective term that refers to a wide range of artistic practices and works that engage with historical and ecological themes. The term often encompasses ecological concerns, although it is not exclusively defined by them. Environmental art acknowledges and appreciates the early history of the environmental art movement, including works with activist themes and those celebrating the connection between nature and the artist through the use of natural materials.