Pumpkin (White Y) (Kusama 150) by Yayoi Kusama is a 1992 screenprint measuring 70.8 x 84 cm, produced in an edition of 120. The print features Kusama’s iconic pumpkin motif rendered in white against a deep black background, composed of intricate dot and net patterns. The meticulous repetition of dots, varying in size, gives the pumpkin a three-dimensional, pulsating presence while evoking themes of obsession, infinity, and psychological depth. The textured background of web-like forms enhances the organic yet surreal quality of the image. Signed, titled, dated, and numbered on the front, the work is emblematic of Kusama’s singular visual language and enduring fixation with pumpkins as symbols of comfort and self-identity.
Yayoi Kusama (Japan, 1929) is a pioneering artist known for her avant-garde vision, using polka dots, mirrors, and immersive installations to explore themes of infinity and self-obliteration. Her 'Infinity Rooms' and bold, colorful works have redefined contemporary art, influencing pop art and minimalism. Kusama’s art blends obsession with beauty and transcendence, making her globally celebrated.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Pumpkin (White Y) (Kusama 150) by Yayoi Kusama is a 1992 screenprint measuring 70.8 x 84 cm, produced in an edition of 120. The print features Kusama’s iconic pumpkin motif rendered in white against a deep black background, composed of intricate dot and net patterns. The meticulous repetition of dots, varying in size, gives the pumpkin a three-dimensional, pulsating presence while evoking themes of obsession, infinity, and psychological depth. The textured background of web-like forms enhances the organic yet surreal quality of the image. Signed, titled, dated, and numbered on the front, the work is emblematic of Kusama’s singular visual language and enduring fixation with pumpkins as symbols of comfort and self-identity.
Yayoi Kusama (Japan, 1929) is a pioneering artist known for her avant-garde vision, using polka dots, mirrors, and immersive installations to explore themes of infinity and self-obliteration. Her 'Infinity Rooms' and bold, colorful works have redefined contemporary art, influencing pop art and minimalism. Kusama’s art blends obsession with beauty and transcendence, making her globally celebrated.
My life is a dot lost among thousands of other dots.
- Yayoi Kusama
Celebrated for her liberal and multi-faceted approach to creation, Yayoi Kusama is a prominent artist who works primarily across the mediums of installation and sculpture, as well as performance, poetry and painting – Kusama has a unique style with works spanning minimalism, surrealism, conceptual art and abstract expression. Among Kusama's acclaimed works is Grand Orgy to Awaken the Dead, one among many highly public ‘happenings’, in which naked participants were covered in a range of brightly coloured polka-dots; these dots, as well as the theme of infinity, became signature traits of her art – Kasuma has commented on the repetitive nature of her creativity in describing herself as an ‘obsessive artist’. Kusama counts fellow artists Eva Hesse and Donald Judd as close friends and influences, and her work has also been of inspiration to Andy Warhol and the Pop Art style. (Artist website)
Feminist art refers to the art that emerged from the feminist art movement during the 1960s and 1970s. It developed with the intention of critiquing 20th-century gender ideals and challenging the traditional canon of art history. Feminist art seeks to create a dialogue between the artwork and the viewer through a feminist lens, often addressing issues of gender, identity, and social justic