What is conceptual art?
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Artworks Related to Conceptual art
Massimo Bartolini
Dust Chaser, 2014
Limited Edition Print
Etching
EUR 1,800
Massimo Bartolini
145 hours, 2014
Limited Edition Print
Etching
EUR 1,300
Massimo Bartolini
287 hours, 2014
Limited Edition Print
Etching
EUR 1,800
Carlos Amorales
Sin título 1 , 2008
Limited Edition Print
Etching
Currently Not Available
Bernd & Hilla Becher
Fördertürme, 2006
Limited Edition Print
Digital Print on paper
Currently Not Available
Vik Muniz
Vireo on Barbed Wire, 1995
Photography
Photograph
USD 6,200
Ellen Gallagher
Duke, 2004
Photography
Photogravure
Currently Not Available
Ross Bleckner
Dream and Do I, 1997
Limited Edition Print
Screen-print
USD 3,400
Ross Bleckner
Dream and Do II, 1997
Limited Edition Print
Screen-print
USD 3,400
Carsten Holler
Multiple Mushroom Dome , 2012
Sculpture / Object
Mixed Media
Currently Not Available
Chris Burden
Cantilever Bridges, 2000
Limited Edition Print
Aquatint
Currently Not Available
James Turrell
Carn, 1988
Limited Edition Print
Etching
Currently Not Available
Penone Giuseppe
Empreinte de Pierre, 2011
Limited Edition Print
Lithograph
Currently Not Available
Marie-Jo Lafontaine
Dance the world 2, 2010
Limited Edition Print
Pigment print
EUR 300
Marie-Jo Lafontaine
Dance the world 1, 2010
Limited Edition Print
Pigment print
EUR 300
Jasper Johns
Technics and Creativity, 1971
Limited Edition Print
Mixed Media
Currently Not Available
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In 1981, Patti Astor opened the first art gallery in New York City's East Village, helping to launch the careers of various artists and musicians. The gallery started small but quickly gained popularity, contributing to the emergence of art movements such as Neo-Expressionism and Street Art in the area. The East Village became a hub for these new artistic expressions. However, the gallery closed in 1985 due to waning interest.
Embossing is a technique used to create raised designs or images on a surface, typically paper. Artists achieve this effect by altering the shape of the paper, often by pressing it from the reverse side using a template and a tool like a sanded dowel. The result is a design with multiple levels of depth, giving a three-dimensional appearance.
A term coined to describe artworks that are designed to be destroyed during their creation. Gustav Metzger, who developed this concept, outlined key principles: the artwork must disintegrate within 20 years, be self-completing, and involve public participation.
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